Author Archive: Peter Jakobsen
Eyes Without a Face (Les Yeux sans Visage)
(dir. by Georges Franju) (1960) Necrotic facial tissue was never so fascinating. Brilliant (well, in theory) plastic and reconstructive surgeon wants to fix his daughter’s face, ruined in an accident – but he needs replacement skin. That does not bode well for the the pretty young students of Paris…. TVC knows of no scene more chilling than when the callow student is treated to a handkerchief soaked in chloroform…
Continue Reading →Escape From New York
(dir. John Carpenter) (1981) L considers this the best ‘B’ movie ever; P prefers The Boys From Brazil, but it is certainly in the top rank. An auteur effort from Carpenter (also contributing to script and the futuristic Wurlitzer soundtrack) with legendary, over-the-top sneering performance by Kurt Russell as the perverse Snake Plissken (‘Call me Snake’ – ‘OK, Snake’ – ‘The name’s Plissken’) and a great cast including Ernest Borgnine, Isaac Hayes, Lee Van Cleef, Harry Dean Stanton and Donald Pleasance as the extremely odious POTUS. The ‘sequel,’ Escape from LA, is pretty much Escape from New York with a change…
Continue Reading →Elmer Gantry
(dir. Richard Brooks) (1960) Dr Gantry sets aside his unwanted toasters and vacuum cleaners and returns to where he belongs, in the evangelical business. A sprawling, gargantuan rendering of Sinclair Lewis’ novel, with giant performances, particularly Lancaster as Elmer, Jean Simmons as Sister Falconer, Shirley Jones as Ms Baines and Arthur Kennedy as the journalist following the big tent. “It wasn’t really acting” quoth Burt Lancaster of his performance, “It was me”.
Continue Reading →Eichmann in Jerusalem
(by Hannah Arendt) The Varnished Culture finished this work none the wiser but better informed. Valuable as all eye-witness accounts are, it is nonetheless a moot point as to whether the ultimate Nazi bureaucrat is worth study at all. A trickier topic is the Stockholm-style compliance by some Jewish leaders, and touching on that exposes the author to a charge of excessive severity.
Continue Reading →Ed Wood
(dir. Tim Burton) (1994) Somewhere after What’s Eating Gilbert Grape?, Johnny Depp became an art-house ham. There’s plenty of scenery to chew in this enjoyable romp of the notorious Fellini-Without-Talent (see: The Golden Turkey Awards (1980), Medved Bros) and which is stolen by Martin Landau as the incomparable Bela Lugosi.
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