The strictly religious Pomeranian created some of the greatest landscapes of land and mind, leaving, not a fashionable school of design, but a romantic legacy that has moved later generations, including (alas) modern artists who were unable to draw. His bleak world-view is encapsulated in his paintings, and some of the scenes of desolation and ruin are oddly prescient. He at times recalls Poussin, Lorrain, Corot, even Constable, but he adds true Germanic gloom, revealing and half concealing a world whilst giving the viewer the impression of being beyond it. He made landscape, as painter David d’Angers observed, a tragedy.
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