Edge of Darkness

(Dir. Martin Campbell) (1985) Northern copper Ronnie Craven has picked up his daughter Emma from college and taken her home to eat ratatouille when a loony ex-con and informer jumps out of the bushes and shoots her dead, presumably meaning to kill the father. After (whilst still in?) the shock of this outrage, Craven starts to manifest numerous delusions, probably stemming from post traumatic stress disorder.  For example, he thinks he’s a tree!  He still converses with Emma.  He thinks the murder-gone-wrong was nothing more than a front for a vast, labyrinthine conspiracy by the dark forces of global nuclear…

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Dogville

(dir. Lars von Trier) (2003) Before he developed a cinematic messiah complex and turned out stuff such as Melancholia, Trier did some intriguing and dramatically satisfying work. If viewers can overlook staginess, this film is a gem, an Arthur-Miller-meets-Eugene-O’Neill tour in hell, with great turns by a really interesting cast. Not for all tastes. Ms Kidman’s momentous philosophical discussion with Mr Caan at finale a highlight.

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Burial Rites

(by Hannah Kent) Once the reader accepts the book as a claustrophobic minuity, s/he will find this wintery Icelandic saga is worth the solitary confinement; a lucid and authentic small tale of murder and retribution, with as much cause for optimism as in a Ken Loach film. Ken Loach should buy the film rights. [Update note: Ms Kent’s second novel is due out.  No pressure, but….]

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Brother’s Keeper

November 3, 2014 | Posted by Peter Jakobsen | CRIME, Documentary, FILM, THUMBNAIL REVIEWS |

(dir. J. Berlinger & J. Sinofsky) (1992) A great, ambling account of a yokel murder case. One of the Ward boys (farmers with arrested development, putting it mildly) ups and dies; the State thinks one of the other Ward boys dun it.  Film-makers get an extra half-star for inhaling near the Ward boys. Note to DA’s pathologist and the defence attorney: never appear on film again.  It’s all a little exploitative, but unmissible all the same.

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Badlands

November 3, 2014 | Posted by Peter Jakobsen | Classic Film, CRIME, Drama Film, FILM, THUMBNAIL REVIEWS |

(dir. Terence Malick) (1973) Bleak and stark it may be but there is a fairy tale quality in this sanitized, loose but compelling adaptation of the Starkweather-Fugate crime spree in Nebraska and Wyoming in 1957/8.  Kit (Martin Sheen) and Holly (Sissy Spacek) brilliantly capture the sweetest, stupidest and deadliest couple since Bonnie and Clyde. Holly’s girlish internal monologues are laugh-out-loud, close to the style of Stephen Leacock’s Memoirs of Marie Mushenough. This is Malick’s magum opus.

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