Greta

March 21, 2019 | Posted by Lesley Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

(Directed by Neil Jordan) (2018) This tedious, derivative piece of trash begins when nice, naive young Frances (Chloë Grace Moretz, using every tic and twitch she can summon, and that’s a lot) finds a chic handbag in a subway carriage. Oddly enough, no-one else is interested in it. Even more oddly, all of the lost luggage offices in the entire New York subway system must have been permanently closed, if this film is to make any kind of sense at all. But there we are. Back at home in their luxurious loft apartment, Frances and her flatmate Erica (Maika Monroe,…

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Films to Help Remember Phone boxes

March 19, 2019 | Posted by Guest Reviewer | FILM, LIFE |

Cigarettes, hats & gloves, phoneboxes…where did you go? Here’s an aide memoire for phoneboxes…let us know of more! Anchorman: The Legend of Ron Burgandy The Apartment Dr Strangelove The French Connection Get Smart Glengarry Glen Ross Goodfellas I Know Where I’m Going!   The King of Comedy The Maltese Falcon North by Northwest The Rainmaker Ransom Séance on a Wet Afternoon The Servant The Silent Partner Sorry, Wrong Number Sunset Boulevard Superman Withnail & I [Italicised films are accompanied by images]

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Stan & Ollie

March 11, 2019 | Posted by Peter Jakobsen | FILM, THUMBNAIL REVIEWS |

It's another fine mess...

(Directed by Jon S. Baird) (2019) “Stan’s cry, or the frequent sight of Oliver, prostrated and turning up his face in speechless appeal, may seem unfunny at first acquaintance, but gradually grow upon one until they are hilarious, irresistible, looked-for, and cherished.”* And once you watch a few of Laurel and Hardy’s short and longer films (try Way Out West (1937), which we watched to get in the mood for the film under review, or Laughing Gravy (1931), which you can see on YouTube), the appeal starts to soak in: you sense something deep and loving under the chaos, peevishness, and…

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At Eternity’s Gate

February 24, 2019 | Posted by Peter Jakobsen | ART, Drama Film, FILM, THUMBNAIL REVIEWS |

(Directed by Julian Schnabel) (2018) It takes some men a long time to grow up. Julian Schnabel began his career as an artist, allegedly; his notorious ‘plate paintings’ moved Robert Hughes to say of him: “Schnabel’s work is to painting what Stallone’s is to acting: a lurching display of oily pectorals.”*  Then he produced a memoir, when only aged in his mid-thirties, without having achieved anything of note – if you want a nasty laugh, read Hughes’ review of it in The New Republic.**  Then he found the medium of film, where his talents and sensibilities obviously lie: after Basquiat (1996) a…

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North by Northwest

January 5, 2019 | Posted by Peter Jakobsen | Classic Film, FILM, THEATRE, THUMBNAIL REVIEWS |

Staged at Adelaide Festival Theatre, 4 January 2019 (Directed by Simon Phillips) (1959 film directed by Alfred Hitchcock) Everybody knows the story: Manhattan Ad-man Roger O. Thornhill is mistaken for a (non-existent) government agent, kidnapped, framed and chased across the country by Cold War heavies. Hitchcock’s romantic thriller is a classic, featuring legendary scenes such as the interlude on the train to Chicago between Thornhill (Cary Grant) and Eve Kendall (Eva Marie Saint), the attack on Thornhill by a crop-duster, and the chase over the Mount Rushmore monument. And besides Grant and Saint, there were James Mason as a suave villain, Martin…

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