Category Archive: Drama Film
Sunset Boulevard
(dir. Billy Wilder) (1950) Creepiest of black comedies as wisecracking opportunist from Ohio (William Holden) encounters Old Hollywood (Norma Desmond, aka Gloria Swanson) with her major-domo, Erich von Stroheim, with fatal results. This Paramount classic with a sensational script is still the very best film ever made about Hollywood. After this classic, the pictures got smaller. From Schwabs to the golf course at Bel Air, to Norma Desmond’s crumbling palazzo, this faded Sunset grandeur is vindication alone for olden golden Hollywood…
Continue Reading →The Insider
(dir. Michael Mann) (1999) Cancer man and chemist Jeffrey Wigand (Russell Crowe) is shown the door but his erstwhile Big Tobacco employer strikes again when he breaches the confidentiality agreement. 60 Minutes producer and crypto-saint Lowell Bergman (Al Pacino) is busy inducing that in aid of the effort to expose what everyone already knows: smoking is bad for you. Compelling and clever; rich performances, particularly by Crowe and Christopher Plummer as the 60 Minutes host, Mike Wallace (both characters the most compelling throughout by far, because they face genuine, human, crises of conscience).
Continue Reading →It’s A Wonderful Life
(dir. Frank Capra) (1946) Utopian dreamer George Bailey (James Stewart) receives a Dickensian gift as he prepares to jump off a bridge; a glimpse at local conditions if he’d never been born. Full of sentiment but not sentimental, TVC challenges you not to be reaching for your hankie by the conclusion.
Continue Reading →The Browning Version
(Terence Rattigan) Rattigan liked to focus on the pitiless pitied; still, he had a great (though now out of fashion) talent for structure, style, character and conventional exposition. It is what makes his plays so enjoyable. Andrew Crocker-Harris is Mr Chipping without the charm, Mr Kotter without the humour and Miss Brodie without the balls. He has been played by Eric Portman, Michael Redgrave, Albert Finney and others but few have got his essential character entirely right (NB the Varnished Culture never saw Portman in the role). After all, the impression he gives is that of only mild surprise at…
Continue Reading →The Spy Who Came in from the Cold
(dir. Martin Ritt) (1965) Agent Alec Leamas returns from Berlin, defeated and discouraged, and Control gives him a project: go back and set up his adversary for a big fall. So far, so good, but nothing is what it seems in grand espionage… Great, grey, grim, cold war nasty. Dick Burton, et al, play for keeps with nary a hint of glamour.
Continue Reading →