Dead Man

November 3, 2014 | Posted by Peter Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

(dir. Jim Jarmusch) (1996) Johnny Depp rides again, or should it be sails, into the sunset, only this time, weird works. [As Depp Indian films go, this is as good as The Lone Ranger is execrable…]

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Chinatown

November 3, 2014 | Posted by Peter Jakobsen | Classic Film, Drama Film, FILM, THUMBNAIL REVIEWS |

(dir. Roman Polanski) (1974) Superior latter-day film noir, replete with sophisticated non-plot (something about diverting public water for private purposes), has Faye Dunaway getting away with scenery-chewing, due no doubt to difficulties with character (‘She’s my daughter! She’s my sister! She’s my daughter…’).

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Breaking Bad

November 3, 2014 | Posted by Peter Jakobsen | Drama Film, THUMBNAIL REVIEWS |

(created by Vince Gilligan) (2008-2013) A high octane, cold-sweated, overheated, pretzel-plotted, prodigious, ragged and pitiless low tragedy, the best thing on television for years. LESLEY ADDS.  No-one is redeemed.  No-one is spared.  It’s all a murky brown and very, very nasty.  Crime pays.  No it doesn’t.  Maybe it does.  No, probably not.  Oh I don’t know.  Second only to the greatest TV drama series of all time – Edge of Darkness. (Note: see also the prequel, Better Call Saul)

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Bigger Than Life

November 3, 2014 | Posted by Peter Jakobsen | Classic Film, Drama Film, FILM, THUMBNAIL REVIEWS |

cortisone

(dir. Nicholas Ray) (1956) Uber-normal 50s family has life turned on its head when Dad gets hooked on cortisone and starts wearing robes and a crown.  It’s like The Brady Bunch meets Oliver Twist and it fairly crackles.  James Mason’s great performance is almost too big for the film – you want him strait-jacketed only after he stabs everyone in the cast.

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Badlands

November 3, 2014 | Posted by Peter Jakobsen | Classic Film, CRIME, Drama Film, FILM, THUMBNAIL REVIEWS |

(dir. Terence Malick) (1973) Bleak and stark it may be but there is a fairy tale quality in this sanitized, loose but compelling adaptation of the Starkweather-Fugate crime spree in Nebraska and Wyoming in 1957/8.  Kit (Martin Sheen) and Holly (Sissy Spacek) brilliantly capture the sweetest, stupidest and deadliest couple since Bonnie and Clyde. Holly’s girlish internal monologues are laugh-out-loud, close to the style of Stephen Leacock’s Memoirs of Marie Mushenough. This is Malick’s magum opus.

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