Malibu Drive

October 11, 2019 | Posted by Peter Jakobsen | Modern Music, MUSIC, THUMBNAIL REVIEWS |

The Railway Hotel, Port Adelaide, Saturday 28 September 2019 A cover band with street cred, “Malibu Drive” had and gave a great time at the Port on Saturday Night a couple of weeks back. Whereas bog-standard pub bands comprise guitar, bass, drum and one mediocre lead vocal, here was a 7-Man Monster with as many good vocalists as Fleetwood Mac has.  This line-up carries a big repertoire and enables them to traverse numerous genres with ease (see programme notes below). The house was full: and full of Funk, Pop and soft Rock, delivering joy to a cross-section of groovers of…

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Kris Kristofferson

September 20, 2019 | Posted by Peter Jakobsen | Modern Music, MUSIC, THUMBNAIL REVIEWS |

Thebarton Theatre, Adelaide, 17 September 2019 Kris is a versatile man: a scholar, a soldier, an actor (of sorts) and a country music living legend. If we sound snippy about his film career, it’s because they’ve been so many more misses than hits (think Pat Garrett and Billy the Kid, The Last Movie, Bring Me the Head of Alfredo Garcia, or Heaven’s Gate – those last 3 would grace many a worst-list) – but we’ll give him inter alia: Blume In Love, Alice Doesn’t Live Here Anymore, and though he’s oddly cast, Perfect Murder, Perfect Town. He’s in his 80s now, ye…

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Petula Clark

May 20, 2019 | Posted by Peter Jakobsen | Modern Music, MUSIC |

Norwood Town Hall, 17 May 2019 We just had to catch one of the earliest British pop divas and it was well worth it. Especially as Petula (aged about 13) had had a small but key role in the classic film I Know Where I’m Going! “Downtown,” “Don’t Sleep in the Subway,” (see below) “A Sign of the Times,” and “I Know a Place” and several other worthy tunes had the crowd swaying and (annoyingly in some cases) humming along. TVC calculated that we might have been among the younger fans in the crowd, but it looked like a full…

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Daisy Jones and The Six (by Taylor Jenkins Reid)

Cobalt Blue Eyes? Call the Doctor.

Daisy Jones and the Six is a fictional 1970s Fleetwood Mac style-ensemble fronted by a bewitching, raspy voiced woman (the eponymous Daisy) and a handsome, brooding guitarist-singer. The number is made up by a less ravishing woman on keyboards and a couple of other people not worth bothering about. Don’t bother reading Taylor Jenkins Reid’s novel either, just wait a while and you can watch it. The front cover declares deliriously that Renaissance Woman Reese Witherspoon “devoured” this book in a day, and you can bet that she’s put it on her shelf marked Miniseries? Netflix? Role for Ava?  We…

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Eurovision Australia 2019

February 11, 2019 | Posted by Lesley Jakobsen | AUSTRALIANIA, Modern Music, MUSIC, THUMBNAIL REVIEWS |

[Eurovision Australian Heats, February 9, 2019.] Since Australia’s first Eurovision entry in 2015 Guy Sebastian’s “Tonight Again’, we have cheered Dami Im (second in 2016 (she was robbed)) and have cringed at Jessica Mauboy, notably referred to by ‘The Spectator’ magazine as a ‘vast caterwauling aboriginal‘. Finally we antipodeans have had the opportunity to vote (as if it hasn’t all been decided beforehand) on our entrant. The final, from the appropriately kitsch Gold Coast, Queensland, was shown on SBS and hosted by a chipper Joel Creasy (“trilingual” in English, Millenial and Drag-Queen) and an uncomfortable Myf Warhurst in unflattering hot pink. Each of the…

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