Parsifal Swans in to Sydney

August 15, 2017 | Posted by Peter Jakobsen | MUSIC, Opera, OPERA, RELIGION, THUMBNAIL REVIEWS, WAGNER |
"Give me an hour, and you'll forget all about that silly mug..." (Temptation of Percival by Arthur Hacker, 1894)

"Give me an hour, and you'll forget all about that silly mug..." (Temptation of Percival by Arthur Hacker, 1894)

(Concert version, Sydney Opera House Concert Hall, 14 August 2017) We landed in Sydney secure in the knowledge that Jonas Kaufmann was already here and in fine form.  Out initial impressions of Sydney town c. 2017 were as favourable as always, except for the subsequent days when “strategic, environmental burn-offs” doused all in plumes of thick blue smoke, smoke much less tasty than that found second-hand in a cigar bar. In any case: Parsifal. This, Wagner’s “work of farewell to the world” has managed to become P’s favourite Wagner Opera, despite Tristan, despite Meistersinger, yes, even despite the Ring. Its music is so…

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Playing With Fire – Staging “The Ring”

July 12, 2017 | Posted by Peter Jakobsen | Australian History, HISTORY, MUSIC, Opera, OPERA, WAGNER |
wunderbar

[This article originally appeared in the Newsletter of the Richard Wagner Society of SA, # 282, July 2017] “When Art Meets Politics.” This was the essence of Dr. Peter Bassett’s text in a thoroughly entertaining and salutary talk to the Richard Wagner Society of South Australia on 18 June, entitled ‘Playing with Fire – the pursuit of a Wagner performance tradition in Adelaide 1995 – 2005’. President Geoffrey Siedel introduced Dr Bassett, who was uniquely placed to cover this topic, having completed a PhD on it, as well as being closely involved with the productions that comprised Adelaide’s Wagner Decade…

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Vale Jeffrey Tate

June 7, 2017 | Posted by Peter Jakobsen | Classical Music, MUSIC, Opera, OPERA |
Tate4

Sir Jeffrey Tate (28 April 1943 to 2 June 2017) will be greatly missed. He died of a heart attack in Italy, after a lifetime dedicated to great music. Initially mentored by the ‘Screaming Skull’ (Georg Solti), he overcame profound disabilities to become one of the great modern conductors, appearing at Covent Garden and the New York Met, among others. He was principal conductor at Covent Garden, English Chamber Orchestra, Rotterdam Philharmonic, San Carlo Theatre in Naples, and the Hamburg and Adelaide Symphony Orchestras. It was whilst he was in Adelaide that he conducted the first Australian Ring Cycle (1998) and he recently returned…

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Parsifal

May 29, 2017 | Posted by Peter Jakobsen | FILM, MUSIC, Opera, OPERA, THUMBNAIL REVIEWS, WAGNER |
RedP

At the Met (2013) (DVD 2014) “Laughter, cries of fury and howls of anguish rang out intertwined and tangled, blood flowed everywhere, nails dug bloodily into fat flesh. With a feeling of sorrow and depression Klingsor awoke for a few minutes. His eyes, wide open, stared at the bright gap in the wall. The faces of the embattled women still lingered, and he recognized and named many of them…in a hoarse voice, still caught up in the dream, he said: “Children, stop it! You’re lying you know, you’re deceiving me, you know; it’s not each other you should be tearing…

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Béla Bartok

March 25, 2017 | Posted by Peter Jakobsen | MUSIC, Opera |
Bartok_tablo

Béla Bartok (25 March 1881 – 26 September 1945) only wrote one opera (as did Beethoven) but it was a beaut.  Bluebeard’s Castle (1918) was based on the grim fairy tale by Perrault about the Duke with skeletons in the cupboard (literally). It’s a timeless theme of wiles, deceit and blood-letting that has attracted our interest as a trope previously. In this operetta however, there’s no bloody chamber but a lot of nasty foreboding, atmospherics created almost solely by Bartok’s spiky music.  Instead of being a killer, he’s a collector.  His (apparently complicit) former wives have, according to Bluebeard, “gathered all my riches….

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