Wagner Returns (in shimmering gold and black)

November 3, 2019 | Posted by Peter Jakobsen | MUSIC, Opera, OPERA, THUMBNAIL REVIEWS, WAGNER |

Wagner Gala, Federation Concert Hall, Hobart, Tasmania, 2 November 2019 TVC descended on gloomy, beautiful Hobart for the much awaited return of Nina Stemme, currently the world’s greatest soprano (only the 2nd person to be awarded the Birgit Nilsson Prize, for those for whom awards matter), with the great bass baritone John Lundgren, who gave us a night of selected Wagnerian hits in concert format. Stemme made a big splash in Hobart in 2016 singing excerpts from Tristan und Isolde with Stuart Skelton. No Tristan this time unfortunately, but the programme was ideally suited to the leads: The Wotan and…

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Adelaide Festival 2020

October 30, 2019 | Posted by Peter Jakobsen | ART, DANCE, MUSIC, OPERA, THEATRE, WRITING & LITERATURE |

29 October 2019: TVC crept in to Bonython Hall at Adelaide University on a beautiful Spring Morning for the launch of the programme for the internationally renowned Adelaide Art’s Festival (& Adelaide Writer’s Festival) in February/March 2020, the AF’s 60th year.  Expect ABC documentaries and coffee-table books aplenty! “The Big Reveal” (yes, ‘reveal’ is now a noun, evidently) was preceded by some homilies from Aunty Georgina Williams Ngankiburka Mekaune, Senior Woman of Water, who also dropped the (yawn-inducing) Welcome to Country upon us, along with a tag-team of professional signers, complete with their ‘jazz hands’ to emulate applause. Judy Potter,…

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Die Walküre at the Met

July 3, 2019 | Posted by Peter Jakobsen | FILM, MUSIC, Opera, OPERA, THUMBNAIL REVIEWS, WAGNER |

[Film of production directed by Gary Halvorson, screened in Adelaide June/July 2019] Wagner’s most human work in the Ring cycle, the hub of the wheel, a pivotal moment when the increasingly out-of-kilter world of gods gives way to the chaos of man. We have described The Valkyries in more detail elsewhere, so we turn without further ado to this excellent film of the performance at the Met in NYC in March 2019, based on the original 2011 production. ‘The Machine’ is back: a spidery bundle of rectangular rods, like giant railway sleepers, that spin and flutter to address the comparatively…

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Kosky Blows His Magic Flute – And it’s a Catastrophe

March 2, 2019 | Posted by Peter Jakobsen | Opera, OPERA, THEATRE, THUMBNAIL REVIEWS |

(Directed by Barry Kosky, Festival Theatre, Adelaide, 2 March 2019) A filthy hot early autumn, Adelaide buzzing with stock car racers; construction blocking easy access to the Festival Theatre, its bars cash-free to absolve staff from learning to do sums in their heads; refugee photos on the gallery walls; no paper towels in the men’s to conserve resources (you use a dodgy blower the size of a cigarette packet – wonder what is available in the ‘female and unisex’ facility?) and a sweaty, sun-burnt matinee crowd, applauding every number performed by the ‘B’ team – What else could one add…

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Meistersingers of Melbourne

November 27, 2018 | Posted by Peter Jakobsen | Classical Music, MUSIC, Opera, OPERA, THUMBNAIL REVIEWS, WAGNER |

L-R: Daniel Sumegi as Pogner, Warwick Fyfe as Beckmesser, Andrew Jones as Nachtigall, Natalie Aroyan as Eva, Kanen Breen as Moser and Michael Kupfer-Radecky as Hans Sachs

Monday 19 November 2018 (Arts Centre, Melbourne) Royal Opera’s then house director, the notorious Kasper Holten, originally designed this production.  The Spectator’s Michael Tanner declared of the London version, “Nothing could prepare me for so deep an abyss of idiocy.”  We know what he means, but speaking personally, apart from some (very large) grumbles, we were not overly bothered by the sets or the “reinterpretation,” no doubt due to a combination of our own jaundiced lethargy and contempt. Also, Meistersinger is perhaps the only Wagnerian piece which is impervious to Regieoper, even when the Guild Hall in Act I is reconstructed…

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