Girl’s Night Out

Simone Young and the Adelaide Symphony Orchestra and Guests, Adelaide Town Hall, 9 August 2019 One can be ambivalent, even resentful about Richard Strauss, with his ‘stress-without-storm’ tone poems, dalliances with flaxen-haired girleens, Daddy-jokes, and general frivolity, even (and perhaps especially) concerning Nazis. Yet who could resist an evening of his pieces by the ASO conducted by Simone Young, featuring 4 great female singers, the romantic feminine being the essence of his oeuvre? The programme of works says it all: included were interludes from Intermezzo, Capriccio and Salome; snippets from Ariadne auf Naxos, duets from Arabella, and a selection from Der…

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Sydney Dance Company: “Neon Aether”/ “Cinco” / “WOOF”

August 10, 2019 | Posted by Lesley Jakobsen | ART, MUSIC, THEATRE |

Adelaide Festival Centre, 8 August 2019 *** Sydney Dance Company is marking its fiftieth anniversary with this three part performance, currently touring Australia.  Although each half-hour long part is created by an individual choreographer (after which it is named; the title-names above were not used in the Adelaide performance), all three are connected by a sinuous melancholy.  The corps, of 5 to 11 male and female dancers occupy an empty space, leavened only by fog and low, diffuse lighting. The first piece, choreographed by Gabrielle Nankivell, begins and is punctuated by darkness and the sound of machinery, perhaps a lift…

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Fiona O’Loughlin – “Gap Year”

July 29, 2019 | Posted by Peter Jakobsen | AUSTRALIANIA, THEATRE, THUMBNAIL REVIEWS |

At the Arkaba Hotel, Friday 26 July 2019 One of Fiona O’Loughlin’s most famous (notorious) routines has her recounting a typical Friday afternoon, picking the kids up from school and then home, via a detour to the drive- through at Liquorland (“It’s Mummy’s time now.”) She spoke of leaving the youngest behind by mistake, and not returning to collect him (“how would that look?”). The bit concluded with a wistful reference to sometimes seeing the little tacker at the wine emporium, complete with his specially-fitted Liquorland shirt. Several years on, and O’Loughlin’s act is not much changed – she is…

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Rocketman

July 15, 2019 | Posted by Peter Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

"What do you have to do to get a drink around here?" (Elton at Rehab)

(Directed by Dexter Fletcher) (2019) This H[B]ollywood-style biopic (with a dash of Across the Universe, in its random song-and-dance numbers performed by the cast) neither persuades nor informs: instead, it scopes back from a stagey Rehab group – showing Elton John at an even lower ebb than when he released the notoriously awful record Victim of Love – and traces his life up to the 1980s, when he roared back with Too Low for Zero and staged a faux wedding to a woman. Boxes are ticked: there’s the early austere home life with two egocentric parents (very much not in love with each other),…

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It’s a Date

July 5, 2019 | Posted by Peter Jakobsen | ART, HISTORY, LIFE |

History and the Everlasting Present History is infinite, Culture diffuse. To aid our sense of perspective, however, to use the past to process the everlasting present, we have to start somewhere; a sketch, in linear fashion, with what we think are key (often approximate) dates, including taking ‘B.C.’ (sorry, we still prefer ‘BC’ and ‘AD’) as modern year zero, rather than 4 years before. Needless to say, this is a work in progress. Too long ago to tell – Fire. The first cave art. Harvest of wheat and grains. The Wheel.     7000 years ago Egypt develops its line of…

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