Wagner Returns (in shimmering gold and black)

November 3, 2019 | Posted by Peter Jakobsen | MUSIC, Opera, OPERA, THUMBNAIL REVIEWS, WAGNER |

Wagner Gala, Federation Concert Hall, Hobart, Tasmania, 2 November 2019 TVC descended on gloomy, beautiful Hobart for the much awaited return of Nina Stemme, currently the world’s greatest soprano (only the 2nd person to be awarded the Birgit Nilsson Prize, for those for whom awards matter), with the great bass baritone John Lundgren, who gave us a night of selected Wagnerian hits in concert format. Stemme made a big splash in Hobart in 2016 singing excerpts from Tristan und Isolde with Stuart Skelton. No Tristan this time unfortunately, but the programme was ideally suited to the leads: The Wotan and…

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Adelaide Festival 2020

October 30, 2019 | Posted by Peter Jakobsen | ART, DANCE, MUSIC, OPERA, THEATRE, WRITING & LITERATURE |

29 October 2019: TVC crept in to Bonython Hall at Adelaide University on a beautiful Spring Morning for the launch of the programme for the internationally renowned Adelaide Art’s Festival (& Adelaide Writer’s Festival) in February/March 2020, the AF’s 60th year.  Expect ABC documentaries and coffee-table books aplenty! “The Big Reveal” (yes, ‘reveal’ is now a noun, evidently) was preceded by some homilies from Aunty Georgina Williams Ngankiburka Mekaune, Senior Woman of Water, who also dropped the (yawn-inducing) Welcome to Country upon us, along with a tag-team of professional signers, complete with their ‘jazz hands’ to emulate applause. Judy Potter,…

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A Joke With No Laughs: “Joker” is the Worst Movie of the Year

October 26, 2019 | Posted by Peter Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

(Directed by Todd Phillips) (2019) Joker is All Dog, from snout to tail. It displays a breathtaking conceit as to its own importance, a delusion, in fact, of grandeur, and of relevance. It shamelessly rips-off much better films such as Taxi Driver and The King of Comedy. It is completely tired and lustreless; it is neurotic and incoherent; it is inept, pretentious and self-indulgent; it has no insights to offer, just tritely psychologised solemnity that gets so murky it’s (almost) funny. In fact there is a special kind of unredeemed awfulness throughout the entirety of what we might loosely call…

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Cuckoo

October 26, 2019 | Posted by Peter Jakobsen | THEATRE, THUMBNAIL REVIEWS |

By Jaha Koo (Oz Asia Festival – Space Theatre, Adelaide 25 October 2019) TVC has had problems with rice cookers before – but never like this.  Hana (the quiet one) makes the rice (which smelt very nice); Duri (the alpha one) talked about making rice, but mainly traded pungent barbs with the florid one, Seri, who came with coloured L.E.D and a boppy soundtrack (the local brand name for the cookers is “Cuckoo”). Their owner, auteur Jaha Koo, uses these appliances as a trope for the plight of his nation, South Korea, in the wake of the Asian economic crisis…

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Parasite

October 20, 2019 | Posted by Peter Jakobsen | FILM, THUMBNAIL REVIEWS |

(Directed by Bong Joon-ho) (2019) Mercury Cinema, OzAsia Festival, Adelaide, October 2019 Parasite begins as broad comedy, turns dark, and ends in ambiguity. The down-at-heel Kim family, ‘semi’ basement dwellers living in squalor, inveigle themselves, one by one, into the retinue of the rich and flashy Park family. The machinations by which they become attached, in turn, as tutor, art therapist, chauffeur and housekeeper are amusingly (though improbably) done. (We particularly liked the references to over-hyped abstract expressionist Jean-Michel Basquiat, the ‘artist’ referenced by Kim’s ‘art-expert’ daughter after a brief surf on Google). For a while, all is well, and…

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