Pale Fire
(by Vladimir Nabokov) Great post-modernism. With fake scholarship, confected verse and unreliable commentary (a triple Ephialtes). “I was the shadow of the waxwing slain by the false azure in the windowpane…”
Continue Reading →The Origins of the Inquisition
(by B Netanyahu) Definitive, immense and profound work on the causes and motives of the Spanish Inquisition. Inquisitiana [Note that TVC recommends the following: Torquemada himself would be impressed with Wakefield & Evans, Heresies of the High Middle Ages (1991) and Lu Ann Homza’s The Spanish Inquisition 1478-1614; An Anthology of Sources (2006), which is a very valuable resource of primary documents. The Spanish Inquisition: A Historical Revision (1998) by Henry Kamen, is a good general volume (TVC has a pretty Folio edition). The Spanish Inquisition (1937) by Cecil Roth is a superior general academic treatment. The Inquisition of the Middle…
Continue Reading →Nostromo
(by Joseph Conrad) Conrad’s robust, sinewy and subtle story of silver madness is the best thing he ever did.
Continue Reading →Nikolaus Pevsner – The Life
(by Susie Harries) The rather ponderous biographical figure can make for a fascinating biography, when it is written and researched judiciously and with love. Pevsner’s love for his adopted England is shown in the Teutonic thoroughness with which he trundled about every shire in the country, travelling and lodging uncomfortably with a hard cheese sandwich wedged in his coat pocket, to document every church, every manor, every public building, bridge and stile of consequence. He accumulated a wall of architectural volumes for the intelligent layperson that still inspire the question: “Is it in Pevsner?”
Continue Reading →The Moon and Sixpence
(by W. Somerset Maugham) W struggled to create a genuine primitive but he comes close with Charles Strickland, a nasty and tormented artist, based on Paul Gauguin (born 7 June 1848, died 8 May 1903 in Polynesia). Strickland’s exchanges with the Maugham-like narrator are great fun. “Don’t you care whether you paint well or badly?” “I don’t. I want only to paint what I see.”
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