Category Archive: POLITICS
Thirteen Days
(by Robert Kennedy) (film directed by Roger Donaldson) This matter-of-fact monograph of the Cuban missile crisis by a central figure is very readable and, considering it was probably whipped up ahead of RFK’s tilt at the Presidency, quite fair (note, by contrast, that in the vivid film of the same name, a key, in fact, critical adviser, Llewellyn ‘Tommy’ Thompson, an Eisenhower appointee, is nowhere to be seen). Kennedy needs and wields no purple prose: his writing is clear, taut and free of cant. For a career politician, this is singular in itself; for an account of a moment on…
Continue Reading →The Sorrow and the Pity
(dir. M Ophuls) (1969) A leisurely pace prevails, as diverse men chat about France under German occupation. This casual approach belies the serious and vital theme that slowly works into the brain and heart: courage and conscience under duress and in crisis.
Continue Reading →Recollections of a Bleeding Heart
(by Don Watson) A portrait both affectionate and sharp, of Paul Keating, Australia’s Prime Minister from 1991 to 1996, beautifully written and constructed by his ‘bleeding heart’ speechwriter (scribbling for him 1992-96). For all his faults, Keating was a remarkable polemicist and his panache, once he had got to grips with a concept, or a slip by the enemy, was extraordinary. Best example: turning John Hewson’s budget reply charge that Keating would “pull everyone down to the lowest common denominator” into a lethal riposte: “Nothing Keating said in 1992 was as good as this. John Hewson had defined himself as Gordon Gecko….
Continue Reading →Primary
(dir. D.A. Pennebaker) (1960) (Redux 2013) Very slight and grainy documentary by today’s standards. Clearly an outsider’s view, despite the intimacy of the footage. Hubert Humphrey was the only candidate heard discussing policy: hence you knew he was doomed.
Continue Reading →Power Without Glory
(by Frank Hardy) Never mind that Hardy was an unreconstructed Commo; this is a great, great-big book, a scandalous roman-a-clef based on a Collingwood Mafioso, John Wren and his rise (and rise). Blessed with no literary touches but a lot of narrative drive, the book has become, in its unpretentious way, a landmark of Australian literature. Hardy had to overcome a myriad hurdles to get his work published and only then did his troubles really begin, in the form of various reprisals, including an almost ruinous trial for criminal libel.
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