Category Archive: CRIME
Eyes Without a Face (Les Yeux sans Visage)
(dir. by Georges Franju) (1960) Necrotic facial tissue was never so fascinating. Brilliant (well, in theory) plastic and reconstructive surgeon wants to fix his daughter’s face, ruined in an accident – but he needs replacement skin. That does not bode well for the the pretty young students of Paris…. TVC knows of no scene more chilling than when the callow student is treated to a handkerchief soaked in chloroform…
Continue Reading →Edge of Darkness
(Dir. Martin Campbell) (1985) Northern copper Ronnie Craven has picked up his daughter Emma from college and taken her home to eat ratatouille when a loony ex-con and informer jumps out of the bushes and shoots her dead, presumably meaning to kill the father. After (whilst still in?) the shock of this outrage, Craven starts to manifest numerous delusions, probably stemming from post traumatic stress disorder. For example, he thinks he’s a tree! He still converses with Emma. He thinks the murder-gone-wrong was nothing more than a front for a vast, labyrinthine conspiracy by the dark forces of global nuclear…
Continue Reading →Dogville
(dir. Lars von Trier) (2003) Before he developed a cinematic messiah complex and turned out stuff such as Melancholia, Trier did some intriguing and dramatically satisfying work. If viewers can overlook staginess, this film is a gem, an Arthur-Miller-meets-Eugene-O’Neill tour in hell, with great turns by a really interesting cast. Not for all tastes. Ms Kidman’s momentous philosophical discussion with Mr Caan at finale a highlight.
Continue Reading →Burial Rites
(by Hannah Kent) Once the reader accepts the book as a claustrophobic minuity, s/he will find this wintery Icelandic saga is worth the solitary confinement; a lucid and authentic small tale of murder and retribution, with as much cause for optimism as in a Ken Loach film. Ken Loach should buy the film rights. [Update note: Ms Kent’s second novel is due out. No pressure, but….]
Continue Reading →Brother’s Keeper
(dir. J. Berlinger & J. Sinofsky) (1992) A great, ambling account of a yokel murder case. One of the Ward boys (farmers with arrested development, putting it mildly) ups and dies; the State thinks one of the other Ward boys dun it. Film-makers get an extra half-star for inhaling near the Ward boys. Note to DA’s pathologist and the defence attorney: never appear on film again. It’s all a little exploitative, but unmissible all the same.
Continue Reading →