Category Archive: Drama Film
She Said
(2022) Yes, it’s all ‘She Said’ in this tedious, overblown 90 minute polemic from director Maria Schrader. Anything ‘he says’ is misogynistic and stupid, ipso facto, because the speaker is a man. The scene is set early on with gratuitous Trump-bashing. Then whispers about Harvey Weinstein’s predatory behaviour are heard and leapt upon voraciously by our female reporters (they are, apparently, the only ones doing a real job apart from, possibly, Anderson Cooper who is also on to it, (no surprises there)). Everyone’s aghast. The ‘casting couch’ is such an evil and new concept (but only to be expected). Weinstein…
Continue Reading →Living
(Directed by Oliver Hermanus, 2022) Well, this is a new idea for a story! A reserved and disciplined person of a certain age gets a terminal diagnosis and decides to LIVE before he shuffles off. Mr. Williams (Bill Nighy) is a decent enough chap but frosty (and is in fact referred to as ‘Mr. Zombie’) in a middle management civil service position*. The table of junior civil servants over which he presides (stiffly and politely, of course) is piled ridiculously high, with towers of aged paper and nothing ever gets done. After the appropriately stiff upper-lipped scene with the specialist,…
Continue Reading →Tár
Directed by Todd Field (2022) To err is human; to forgive, Divine; to cancel, de rigueur. Lydia Tár (not her real name?) is a pianist, ethnomusicologist, composer, and the first female chief conductor of the Berlin Philharmonic. She’s as busy as a bee: at a festschrift, she plugs her new book to Adam Gopnik of the ‘New Yorker’ (they wouldn’t invite Steve Bannon, but this luvvie? No problem!) and she is preparing the forthcoming live recording of Mahler’s 5th. She’s teaching (and bullying) at Juilliard; lunching with a moneyman who wants to pick her brains; she’s hiring and firing; she’s…
Continue Reading →Midsommar
(dir. Ari Aster) (2019) Midsommar performs poorly on The Babadook Horror Movie Scale. Rather than dark mansions and creepy children, Aster has set his nastiness in sunny meadows (although it still looks cold) peopled by beatifically-smiling blond Swedes. But the story is familiar. Nice, naive, clean, modern-day American kids are blindsided by evil, sophisticated old-worlde types. Maybe there’s witchcraft. (See Henry James, add The Lottery, stir with Rosemary’s Baby). While we’re at it, let’s get the rest of the obvious comparisons out of the way: The Wicker Man, Get Out, The Village and Hereditary (Aster’s previous feature). Our innocents, Christian…
Continue Reading →The Unlikely Murderer
A nice night in
(Dir. Charlotte Brandstrom and Simon Kaijser) (Netflix, 5 Episodes) Unlike another recent Netflix offering set in Sweden (Midsommar), the natives in The Unlikely Murderer are not beautiful; nor do they dance among the buttercups. Rather, these Swedes are generally jowly, live in flimsy brown apartments and are spared nothing by the close-ups of their pores and the 1980s fashions (did such a high proportion of Swedish women really suffer under mushroom haircuts?) The Unlikely Murderer is based on the true life assassination of Prime Minister Olof Palme (Peter Viitanen), below, in the town of Täby, north of Stockholm. After the…
Continue Reading →