Category Archive: FILM
Barbie (2023 Dir. Greta Gerwig)
One of these three plays Barbie in the eponymous movie. No, not that one, not her either. That one. I know!? Weird, right?
Not the least weird thing about the ‘Barbie’ film is the casting. Margot Robbie is just not…Barbie enough…but she does invest the role with a certain joie de vivre and that’s something. Our Barbie (‘Stereotypical Barbie’) lives in a lovely dollhouse world where all the Barbies party and sort of wander about doing physics and stuff. The Kens don’t do anything and are deeply stupid. (Our Barbie’s Ken’s job is not surf lifesaver, as so many people mistakenly believe. His job is ‘beach’). Fittingly, Ken is played by Ryan Gosling, but it might as well have been Ryan Reynolds or…
Continue Reading →Oppenheimer
(Directed by Christopher Nolan) (2023) On 16 July 1945, the first atomic bomb was detonated, at a test site named “Trinity”, in New Mexico, USA. It went so well that, on 6 August 1945 at 8.15 am, the US tried it on an actual city: Hiroshima. A blinding flash shot over the city, and then some 100,000 people were vapourised. The morning turned dark; a priest, Father Kleinsorge, wandered in the garden of his mission, dazed and bleeding, to see his housekeeper, Murata-san, crying out “Shu Jesusu, awaremi tamai!” (‘Our Lord Jesus, have pity on us!’).* Of course, President Truman’s…
Continue Reading →She Said
(2022) Yes, it’s all ‘She Said’ in this tedious, overblown 90 minute polemic from director Maria Schrader. Anything ‘he says’ is misogynistic and stupid, ipso facto, because the speaker is a man. The scene is set early on with gratuitous Trump-bashing. Then whispers about Harvey Weinstein’s predatory behaviour are heard and leapt upon voraciously by our female reporters (they are, apparently, the only ones doing a real job apart from, possibly, Anderson Cooper who is also on to it, (no surprises there)). Everyone’s aghast. The ‘casting couch’ is such an evil and new concept (but only to be expected). Weinstein…
Continue Reading →Triangle of Sadness
(writer and director Ruben Östlund) (2022, Foxtel) In the 1988 movie Funny Farm, hapless writer Andy Farmer (Chevy Chase) is asked whether his novel in progress is comedy, action or adventure. He replies, gleefully: “It’s all three”. Triangle of Sadness is a dreadful melange too and there’s nothing to be gleeful about. It’s a bore. Östlund didn’t know if he was making a gross-out, social satire, or survival movie. It is, in fact, a poorly executed scramble of all three, mixed with a bit of luxury yacht-and-model-porn. Östlund puts a stereotypical bunch of wealthy cruise-goers on board the SS Minnow…
Continue Reading →Can You Ever Forgive Me?
(Directed by Marielle Heller, 2018) We were familiar with Ms. Heller’s work through that deceptively small film, A Beautiful Day in the Neighborhood, and here, as there, she clearly is the Goddess of Small Things, able to turn an interior work into something a bit special. The story is ‘sort-of-true.’ Worthy but down-and-out and written-out journeyman writer, Lee Israel (Melissa McCarthy, who was in the terrific comedy Bridesmaids) has rent and bills past due, can’t keep a job because of poor interpersonal skills, can’t afford veterinary treatment for her cat, Jersey, has a drinking problem, and an agent (Jane Curtin,…
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