Category Archive: Modern Music
Six the Musical
(Her Majesty’s Theatre, 27 May 2022) Six the Musical, a pop music retelling of the story of the wives of Henry the Eighth of England was royally received in London, New York and Sydney. We are pleased to say that the Adelaide audience loved it just as much as Henry VIII adored Anne Boleyn, and not just at the beginning of it all. The capacity crowd cheered when the six wives appeared in a London pea-souper of dry ice mist and they were on their feet dancing when the queens gloriously asserted their individuality and agency at the end of…
Continue Reading →Icehouse
Adelaide Oval’s Village Green, 8 February, 2022 ‘Icehouse’ were never really the techno-guys they were painted as – Nothing to Do from their first (best?) album (when they were ‘Flowers’) is a song Lou Reed would have liked to write and perform – and this terrific retrospective, conceived around the 40th anniversary of the inaugural release of Great Southern Land, written by Iva Davies in homage to Australia and its landscape while homesick on the band’s first overseas tour, showed how their hits were basically great rock/pop, performed by a band that is pretty much as cohesive and professional as…
Continue Reading →RocKwiz Salutes Eurovison (2021)
Adelaide Cabaret Festival, 25 June 2021 We thought nothing could stop the Eurovision Song Contest. The plastic glitter tv extravaganza that has been jauntily assaulting our eyeballs, ears and self-respect since 1956 is proof against international conflict, political controversy and stage-bombers. But a little virus from a non-competing country cancelled the contest in 2020 and Eurovision tragics had to content themselves with The Story of Fire Saga . The SBS music quiz tv show RocKwiz is keeping the legend alive in 2021 for those Australians who cannot travel. From the Gershwin Room in St Kilda’s Esplanade Hotel in Melbourne to…
Continue Reading →Eurovision 2021 (Rotterdam)
The Varnished Culture had night sweats and knotted stomachs awaiting the return of the Eurovision Song Contest. On ice in 2020 due to something or other, we had only Will Ferrell’s lovely tribute to sustain us for a year. Even now, Covid’s ugly head reared and “prevented” the Australian contingent from attending Rotterdam in person. This perhaps caused Australia’s offering, “Technicolour” by Montaigne, to fall at the semi-final stage, which is patently unfair and unjust. Still, Eurovision is the byword for dazzling, iridescent mediocrity, so there we are. Our points system, you’ll recall, rates each song on ‘real world merit,’…
Continue Reading →Zappa
(Directed by Alex Winter) (2020) Frank Zappa (21/12/1940 – 4/12/1993) was a one man show created for an audience of one: himself. Obsessively writing, arranging and producing realms of material, he’d allow others to perform with him, though they were never quite good enough, and he’d suffer people to buy his records or attend his concerts, although they weren’t really hip enough to understand the work. It was either his way or go elsewhere. And his unorthodox, multi-faceted output is always interesting, even if, for example, a double album like 200 Motels turns out to be a bizarre waste of time….
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