Category Archive: Modern Music
Sam Cooke – The Music
(Adelaide Cabaret Festival, 24 June 2022) Before his bizarre death on 11 December 1964, at the somehow apposite age of 33, and his subsequent apotheosis, Sam Cooke was already a key figure in modern music. He took elements of R & B, Gospel and Pop, and created Soul, which emphasizes vocals and venerates both God and the Ladies. In his short life, he made 29 singles that made the top 40. Gary Pinto (pictured, photo by Simon Upton) is a leading performer of R & B and Soul music. The Sam Cooke Tribute he has developed in recent years comes at…
Continue Reading →Otto & Astrid
(Adelaide Cabaret Festival, 23 June 2022) Come out, come out! In Adelaide’s cold, clear, calm, beautiful winter! And see this Festival before the tents are pitched. At the fabulous Spiegeltent on Festival Plaza (below), a large and appreciative crowd gathered to see and hear Otto & Astrid, the famous ‘dysfunctional, squabbling, co-dependent pair who are Berlin’s prince and princess of art rock and Europop, a lipstick-smeared, tantrum-loving, sonic collision between B-52s, The Pixies, Kraftwerk and early Ramones.’ Remember! What’s good or easy In your freezing sit? Come hear the music play, Life is a cabaret, you folks, Come to the…
Continue Reading →Davina and the Vagabonds
(Adelaide Cabaret Festival, 11 June, 2022) [Davina and the Vagabonds, late to town thanks to post-Covid chaos in international flights, appeared at the Cabaret Festival on Saturday night, drawing from the past 100 years of American music, from Fats Domino and the Preservation Hall Jazz Band to Aretha Franklin and Tom Waits. Reportedly, Davina has been compared to Etta James, Amy Winehouse, Janis Joplin, Billie Holiday and Betty Boop, but in order to verify, The Varnished Culture had 2 guest reviewers in attendance who know a thing or three about past and contemporary music in this Dawning Age of Aquarius….
Continue Reading →Six the Musical
(Her Majesty’s Theatre, 27 May 2022) Six the Musical, a pop music retelling of the story of the wives of Henry the Eighth of England was royally received in London, New York and Sydney. We are pleased to say that the Adelaide audience loved it just as much as Henry VIII adored Anne Boleyn, and not just at the beginning of it all. The capacity crowd cheered when the six wives appeared in a London pea-souper of dry ice mist and they were on their feet dancing when the queens gloriously asserted their individuality and agency at the end of…
Continue Reading →Icehouse
Adelaide Oval’s Village Green, 8 February, 2022 ‘Icehouse’ were never really the techno-guys they were painted as – Nothing to Do from their first (best?) album (when they were ‘Flowers’) is a song Lou Reed would have liked to write and perform – and this terrific retrospective, conceived around the 40th anniversary of the inaugural release of Great Southern Land, written by Iva Davies in homage to Australia and its landscape while homesick on the band’s first overseas tour, showed how their hits were basically great rock/pop, performed by a band that is pretty much as cohesive and professional as…
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