(Palace Nova, October 2023) Reviewed by Philippa Thomas Barrie Kosky’s Das Rheingold worked superbly in the live screened London Royal Opera performance seen by some lucky Adelaide Wagner lovers at our Palace Nova Prospect cinema this month. The screening included a short explanatory interview with Kosky and conductor Antonio Pappano, where Kosky explained that his own planned Ring cycle deals with “recognisable human beings with all their flaws” within a context of “the unexplained“. His stress is on the origins from Greek tragedy rather than Norse mythology. Many opera critics have reviewed this production positively – both Pappano’s conducting and…
Continue Reading →(Created by Paul Grabowsky, Adelaide Festival Centre, 14 June 2023) Elvis Presley and Cabaret? But of course! If you Can Dream, avoid that Kentucky Rain, have a Little Less Conversation, perhaps have you Always on Our Mind, and do it My Way, it could work. And this night, it kinda-did, care of Paul Grabowsky’s absolutely clever re-working of the arrangements of the King’s greatest hits (and some lesser mortals), with a terrific jazz/rock/fusion band (piano, guitar, cello, clarinet, trumpet, fiddle, drums, glockenspiel?) and starring celebrated Australian vocalists Joe Camilleri and Deborah Conway, Edge of Reality is a unique tribute to…
Continue Reading →The Ring on TV and in Adelaide On Sunday 28 May 2023, the Richard Wagner Society SA celebrated the Maestro’s birthday with a cake cutting, and an array of Wagner accoutrements (see below). And President Geoff Siedel introduced two documentaries on that well known “story of a man who buys a house and can’t keep up the payments”, the first concerning the televised premiere of a Bayreuth Ring in 1980; the second concerning the mounting of the Adelaide production in 2004. These items above were from the sublime Adelaide Ring. As we have written, with Asher Fisch rehearsing at great…
Continue Reading →Ah Eurovision! How we love you – always oozing zeitgeist. As the fashion of 2023 is virtue-signalling, so Eurovision 2023 is all woke and everything. But not even the po-faced killjoys of intersectionality politics can strip the time-honoured Eurovision Song Contest of its retro, delusional charm and Martian qualities. No! Though it nods to the real world, Eurovision will never be mainstream or proper. It is…Eurovision… So the 2023 Grand Final (in Liverpool, England because the 2022 winner Ukraine is at war) started true to form with an inexplicable number featuring Cousin-It ‘dancers’ in ghillie-suit-womble ensembles, a bit like those…
Continue Reading →(Adelaide Fringe, Sunday 19 March 2023) The Varnished Culture has seen a few choirs this season, but apart from being ordered to ‘Move’ at a cathedral show, nothing has been as kinetic as the Soweto Gospel Choir, appearing at ‘Gluttony’ in Rymill Park last night. With verve, colour, and in particular, motion, the group sang lustily and well, with minimal instrument backing (percussion, keyboard). You didn’t need to know the language to get the message of Hope, with some songs from their Grammy-winning album, Freedom, but it was refreshing to have some standards as well – Hallelujah and A Change is Gonna…
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