Directed by Todd Field (2022) To err is human; to forgive, Divine; to cancel, de rigueur. Lydia Tár (not her real name?) is a pianist, ethnomusicologist, composer, and the first female chief conductor of the Berlin Philharmonic. She’s as busy as a bee: at a festschrift, she plugs her new book to Adam Gopnik of the ‘New Yorker’ (they wouldn’t invite Steve Bannon, but this luvvie? No problem!) and she is preparing the forthcoming live recording of Mahler’s 5th. She’s teaching (and bullying) at Juilliard; lunching with a moneyman who wants to pick her brains; she’s hiring and firing; she’s…
Continue Reading →Renée Geyer (11 September 1953 – 17 January 2023) “A white Hungarian Jew from Australia sounding like a 65-year-old black man from Alabama.” This how Geyer described herself, one of the true originals, and the first (and best) Australian woman to master Soul, Jazz, R & B songs (think “It’s a Man’s Man’s World,” “Since I Fell for You,” “Heading in the Right Direction,” “Stares and Whispers,” “Stormy Monday,” “Midnight Train to Georgia,” “Difficult Woman,” and the pop classic “Say I Love You.”) She was interpreting, and enhancing, the great world songbook long before Rod Stewart or Jimmy Barnes. Whilst…
Continue Reading →OzAsia Festival, Adelaide, 27 October 2022 It may be time to revisit Kipling’s dictum: “East is East, and West is West, and never the twain shall meet.” “Bridge of Dreams” is an unlikely but pretty impressive combination of Hindustani music and big band progressive jazz. At Her Majesty’s Theatre in Adelaide, Saxophonist, composer, and improviser Sandy Evans collaborated with tabla (a pair of twin hand drums from the Indian subcontinent, since the 18th century the principal percussion instrument in Hindustani classical music) players Aneesh Pradhan and Bobby Singh, singer Shubha Mudgal, harmonium player Sudhir Nayak, and the Sirens Big Band,…
Continue Reading →(Written and directed by Brett Morgen) (2022) The great David Bowie died in 2016. He’d have liked this ‘documentary,’ we suspect, because like him, it is sui generis, an assault on the eyes, ears, and (pace his philosophical meanderings) the mind, that satisfies for almost all of its 2 hours and 15 minutes. With a mountain of footage and full estate authorisation, Morgen has lovingly assembled a vibrant, moving monument to the peripatetic searcher and androgynous transformer who was Starman, Ziggy Stardust, Cracked Actor, DJ, the Man Who Sold the World, the Space Oddity, a Young American, a Hero, and…
Continue Reading →The Music of James Bond with George Lazenby By Guest Reviewer David Ross My parents used to receive coarse brown envelopes in the mail bearing the enigmatic label ‘OHMS’, but invariably containing something disappointing (most often a bill). How much more exciting to be On Her Majesty’s Secret Service, as George Lazenby was in 1969. Conductor, Nicholas Buc, took a scaled-back ASO through a selection of Bond themes in chronological order from the instantly recognisable theme written by Monty Norman for the 1962 release of Dr. No to the latest outing of 007, No Time to Die. Breaking up the…
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