(Ensemble Le Monde, Elder Hall, 29 May 2015) ELM gave us a varied programme, with Serenade in C Major for String Trio by Dohnányi. Played in 5 short bursts, each part crowded with disparate moods, ideas and tones, this unfamiliar (to TVC) work is of great interest and showed the versatility of violin, viola, cello. During the soft, still moments, the cello acted almost as a harp. A larger portion of the ensemble gathered for Richard Strauss’ tone poem Till Eulenspiegel einmal anders! TVC is willing to give Strauss points for his operatic and several symphonic works, but it is hard to underrate this one,…
Continue Reading →Richard Wagner (b. 22 May 1813) Happy 202nd anniversary to the Old Fellow! We present an image of the artist as a young Lohengrin, hope Placido sings a little Swan-King today and look forward to Wagner Society SA bash on Sunday (see below). “Mein lieber Schwann!” Sunday afternoon, 24 May, the Wagner Society of SA hosted a lunch and talk by Gillian and Nicholas Braithwaite. Jill is a violinist of note and Nicholas is the highly esteemed conductor (he led ASO from 1987 to 1991), he has recorded and conducted all over the world. The Braithwaites gave a sparkling talk on the…
Continue Reading →The Varnished Culture cites this as exhibit ‘A’ in our defence against a charge of snobbery. L introduced P to it some years ago and ever since, every late May, we settle down to score the finalists. TVC scores each song but has a separate scoring system we call The Euro Points System, in which extra points are given for: 1. Dry ice 2. Contortionists 3. Bad Dancing 4. Any item of Clothing being Torn Away 5. Dwarves 6. Angel Wings or Mock Flying 7. Clowns 8. Piano as Furniture 9. Bearded Ladies 10. Puffs of Smoke. Euro Drinking Game # 1: Every…
Continue Reading →Elvis Costello (Declan MacManus) (b. 25 August 1954) He was at first, with the approval of management, tagged an “angry young rebel” as a result of more than a few brash words and deeds, and the coming of the New Wave in 1976. Add the reaction to him taking the sacred first name of Mr Presley, who would slide off his toilet to immortality just as his namesake was in the first flush of fame. Yet the label hardly stuck because Costello, though personally scratchy at times, is a dogged craftsman, a superb lyricist, a consummate performer and a lover of music in its many forms (witness, for example,…
Continue Reading →(State Opera SA, 2008) Mozart takes an imperial opera buffa and outdoes Rossini, no mean feat. As directed by Neil Armfield, the sense of the composer’s wickedness is retained, with slight sets that actually add rather than detract. As the triumphant underlings, Figaro and Susanna, David Thelander and Teresa La Rocca make a lovely couple and were in fine form. Based on the subversive book by Beaumarchais, Mozart manages (apparently without effort) to give his frantic entrances and exits a hard edge. A great piece, worth seeing anytime – here done very well indeed.
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