Category Archive: MUSIC
Cards Against Humanity – The Rolling Stones
Tired? Beat? Beyond blue? Why not Play Cards against Humanity? It is pure evil and a great way to relax. Note that the rumoured hidden (ultra un-PC) answer card, said to be secreted in the lid of the box, only features in limited editions. The standard answer cards are offensive enough! Adelaide is calming down after the Rolling Stones hit town. They performed a very tight and exultant set at the Adelaide Oval (see: “The greatest game of football ever played”). Not 24 hours later we had an electrical storm to rival that of Key Largo so I guess the…
Continue Reading →The Lily of the Valley Doesn’t Know
According to those who know these things, Friday’s colour is green which is surprising. I was sure it would be black. Green and I have a troubled relationship. When I was a child I learned that it is bad luck to wear green, or at least too much green, because the fairies consider it to be their colour. No-one wants to upset the fairies. Oh. No. You do NOT want to upset the fairies. So I don’t wear green (olive doesn’t count). You think I go to far? Consider – one of the regular customers of the pharmacy in which I worked while at…
Continue Reading →Lou Reed
(2/3/42 – 27/10/13) “When Lou Reed sings, a child somewhere dies.” This horrible statement, attributed to our good friend Matthew R, has a black truth in it (like all good and unfair epigrams). Reed’s records were not for everyone and definitely not for children. Jewish, polysexual, extremely troubled as a youth (his parents committed him to shock treatment at a psychiatric hospital when he was 17) and artsy, he spurned the comfortable Long Island existence and devoted himself to his trade. With some diversions, that is: incredibly, after the release of the Velvet Underground’s Loaded, he was working as a…
Continue Reading →Tristan und Isolde
Beware matchmakers. Beware writing opera when in lust with Mathilde Wesendonck. Beware love-of-death; it leads to the death of love, or death-porn. Wagner must have seen himself as Tristan to Mathilde’s Iseult, Lancelot to her Guinevere, when he shelved the Ring and forged perhaps the most beautiful opera of all. T & I poses a number of problems. Its staging should be spare yet lush. It requires a measure of taste and discretion, for Wagner wrote this work while well-unzipped (he expected the work to be censored unless it was played as parody) and the material can stray dangerously near…
Continue Reading →Tosca
Callas wouldn't cop Spoletta
(Melbourne, 2010) What on earth were alleged professionals thinking with this? A set from Rebus or The Wire and a finale where Floria, rather than hurtle over the parapet, has her brains blown out by Spoletta? It is such textual vandalism that renders Joseph Kerman’s sneer (a ‘shabby little shocker’) as true. Grumbles with setting and textual vandalism aside, Nicole Youl was a fine leading lady and the incomparable John Wegner a formidable, ferocious and frightening Baron Scarpia.
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