His Girl Friday
(Howard Hawks) (1940) High speed comedy with no feelings spared. Cary Grant’s and Rosalind Russell’s finest hour. Hilde has left Walter and the newspaper business behind, or so she thinks….
Continue Reading →Gyn/Ecology
(by Mary Daly) The Gravity’s Rainbow of feminism, an inspired sample-bag of misogyny, a panoply of male sadism. Arguably an insane tract, nevertheless the facts are there – they are indubitable and to this mere male reader, quite compelling.
Continue Reading →The Green Man
(by Kingsley Amis) The landlord of “The Green Man” pub has an alarming drinking problem and wandering hands. Also, there is some monolithic horticultural product about, that could cause further alarm. Amis senior’s famous book, Lucky Jim is superior to this slight work but this novella is so weird and perverse it is almost decadent.
Continue Reading →The Great Terror
(by Robert Conquest) It is hard to understand why so many intelligent people admired the socialist experiment of Soviet Union c. 1934-1940. These useful idiots defended and lauded systematic mass slaughter on an industrial scale. Conquest’s book, originally appearing in 1968, helped convince those still impervious to, inter alia, Hungary and Czechoslovakia. The case is made, with solid and well sourced evidence, that Stalin basically topped anyone who looked at him sideways, or didn’t look at him, or whatever. Nor were the good and great spared: my battered 1971 Pelican edition has, as Appendix D, a list of Full and…
Continue Reading →The Great Gatsby
(dir. Baz Luhrmann) (2013) We were in glamorous Station Street, Birmingham, which turned out to contain “The Electric”, the UK’s oldest cinema. So The V.C. went to see Gatsby in 3D. Looked great but Baz has not nailed the brief: who could? Joel Edgerton looks like Tom Buchanan but talks like Ron Burgundy…Jordan Baker, Meyer Wolfsheim, Owl Eyes, have walk-ons and nothing to do. Gatsby is played like a sad sack with Asperger’s…Luhrmann should take a tip from Visconti when he filmed “Death in Venice”: forget revision, in fact, forget a script – just film the book.
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