All of Us Strangers (2024)
(Director Andrew Haigh) Adam (Bill Paxton look-alike Andrew Scott) is a desolate would-be writer, living alone. After a fire alarm in his London tower block he meets Harry (Paul Mescal) who is, strangely, the only other inhabitant of the building. Harry wants to party the night away, but Adam sends him home. Soon after this, for reasons which are not clear, Adam goes to a park near his childhood home (set in the house in which director Haigh was raised) and meets his father, apparently by chance. Adam starts to spend time with his parents whom he hasn’t seen since…
Continue Reading →Menzies versus Evatt
By Anne Henderson (2023) Robert Menzies and Herbert Evatt were both born before Australia was – in 1894 to be exact, in the colonies of Victoria and New South Wales respectively, but they would blossom under the soon-to-be-created Federal Commonwealth. Their natural intelligence and Victorian work ethic set them on the path to success, and to some degree, Australia became the better for their struggle, in that they brilliantly represented, and advocated for, different yet necessary principles and practices of the nation’s democracy. Menzies went to the Victorian bar, and still in short pants lead in the Engineers’ Case (1920),…
Continue Reading →The Zone of Interest
(Directed by Jonathan Glazer, based on the book by Martin Amis) (2023) Poland is one beautiful country; with a plethora of mountains, verdant meadows, sea-coast, and more lakes than most. Which explains why so many imperialists wanted their grubby hands on it. In 1939, for example, as a result of the Molotov–Ribbentrop Pact, Poland was neatly sliced into two zones. One zone, the Russian one, executed an unknown number of Poles, sometimes with organisation, at other times in a haphazard panic. The German zone, where Poles (and others) were dealt with under typical Teutonic efficiency, is the ‘Zone of Interest’…
Continue Reading →Bel Canto, davvero!
Alberich monsters Mime (by Arthur Rackham)
Richard Wagner Society of South Australia – Wake for Wagner (18 for 13) February 2024 President Geoffrey Seidel welcomed, and Barbara Fergusson interviewed, tenor Andrew Goodwin. Andrew grew up in the inner west Sydney suburb of Summer Hill and after certain vicissitudes, got the opportunity, arranged by Mira Yevtich, to study at the St Petersburg State Conservatory. Since then, he has appeared in numerous roles* and performed with all the major Australian symphony orchestras, but thus far at least, in few Wagner operas (when this was pointed out, he hilariously channeled “The Fast Show” and said: “I’ll get my coat.”)…
Continue Reading →qui tacet consentire videtur
Who wants suppression, of our hearts and minds, To herd a throng assaulted? Sheep fit to bleat such that all one finds Is oppression, exalted? Open their heads and then probe inside And gasp at the lacuna. You’ll find, not affairs that rise like any tide: Vamped Fortuna. When they run astray, when their passion is all spent Context is absurd, not the Go; When he who is silent seems to shrug and feign consent The strongest word is, until Doomsday, “No.”
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