The Last Supper

May 28, 2016 | Posted by Peter Jakobsen | ART, CRIME, RELIGION, Ulalume |

"the hand of him that betrayeth me is with me on the table.'

Milan, 1999, 28 MAY Leonardo’s The Last Supper was restored this day to public view after 22 years of restoration, roughly 501 years after the great artist completed it. You can clamber over the crowds and see this acme of Renaissance fusion (christian myth and enlightenment art) at Santa Maria delle Grazie, in Milan, a scene recounted in the books Matthew and John, where Jesus, looking serene after a tasty lunch, gives all the apostles indigestion with his infamous accusation. Leonardo (15 April 1452 – 2 May 1519) was not only a polymorphous genius, he was also reputedly quite crafty.  All the…

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Morality Tales

September 24, 2015 | Posted by Peter Jakobsen | Drama Film, FILM, RELIGION |

It’s one of the oldest plots: to grab the gold, you must renounce love.  Here is a sprinkling of morality tales on film.   The Box If you pick up the box that landed on your doorstep, open the button unit and push the button, you will receive one million dollars (tax free, and at early 1970s values in real terms) but at the precise moment of pushing the button, somewhere, someone you don’t know will be killed.  Woo Hoo! Give us that box!  Many might not believe in the veracity of this bizarre offer but when a gentleman like the one played by Frank…

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Shadowlands

 (dir. Richard Attenborough) (1993) “We read to know we are not alone”…so we appreciate the intellectual tug of love between lonely but accomplished Clive Staples (Jack) Lewis of Magdalen College, Oxford and lonely precocious poet Joy Gresham (“the Jewish Christian Communist American”) in this simple, sad and beautiful film, easily Attenborough’s best (and a lot shorter than his Oscar acceptance speech for Gandhi, or so it seems). William Nicholson adapted his earlier TV and film scripts with additions based in part on the lovely book by Joy’s son, Douglas (“Lenten Lands”) and the script is wondrous – tasteful, literate and…

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Calvary

December 11, 2014 | Posted by Peter Jakobsen | Drama Film, FILM, RELIGION, THUMBNAIL REVIEWS |

(dir. J M McDonagh) (2014) This is Craggy Island without the laughs, a richly human ‘who-will-do-it’ as Brendan Gleeson, the village catholic priest, struggles with his faith in the wake of a confessional death threat. Paul Byrnes in the Sydney Morning Herald well described Gleeson’s role as “the one good man in a town of jackals” – the relentless vitriol and mockery spat at him by various village types is matched by their own astonishing, preternatural candour – no feelings are spared in this story. The whole tone reflects an Irish ambivalence vis-à-vis organized religion, its utility and its scars….

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Islamic Arts

(by J Bloom & S Blair) Despite ongoing conventions, Islamic Art (an extremely wide term, used here for convenience and coherence) flourished beyond the merely decorative or doctrinal. This sumptuous Phaidon edition is a good entrée to the flowers of the various Muslim empires in history.    

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