Category Archive: THEATRE
The Crucible
(by Arthur Miller) Adelaide University Theatre Guild, August 2016 ‘Desperate and hot.’ That’s how Miller wanted his Witch Trial / Cold War hysteria tale to play; stoke the fire till someone gets burnt. Whilst at the time of debut in 1950s America the piece served a political purpose, sixty odd years later, we can appreciate the wider themes of group-think and guilt. In this production, directed by Geoff Brittain, the essential drama is delivered in a powerful and solid fashion. Despite a few misfires in delivery, the odd uncertain accent and some overly shouty bits, the acting was generally good. Of the brat…
Continue Reading →Vale Peter Shaffer
Playwright Peter Shaffer (15 May, 1926 to 6 June, 2016) has shuffled off the stage. Whilst his best known play was Amadeus, he also wrought, to interesting and arresting advantage, Five Finger Exercise, The Royal Hunt of the Sun (featuring the immortal stage direction in Scene VIII, “the men climb the Andes”) and Equus. These were all rather vulgarised in film treatments, except Equus, which was superbly done in 1977. Shaffer liked to set the devout and the earthy in opposition to each other (e.g., sun-worshipper vs gold worshipper; genius vs proficient mediocrity) and his stylish settings accentuated this conflict. Here’s a cute little monologue from Equus that…
Continue Reading →Cloudstreet
'Ol' Man River...' (photo c/- Accent Photography)
Her Majesty’s Theatre, Adelaide, May 2016 In viewing this adaptation of Tim Winton’s sprawling 1991 novel, TVC recalled Stephen Sondheim’s delineation between opera and musical theatre: with musical theatre, “people expect mediocre singing and good acting; …[while] opera house people expect mediocre acting and good singing.” In Cloudstreet, billed as an opera, with libretto by Winton and composer George Palmer, the singing went from good to fair but it was not operatic. Not at all, with all due respect. The acting was good to poor, a difficult task when (as usual in opera) the text is wholly sung. Opera fans…
Continue Reading →Two Gentlemen of Verona
A better gentleman of Verona...Diesel (Crab), photo courtesy ATG
(By Will Shakespeare) (Adelaide University Theatre Guild, 7 May 2016) (Dir. Gary George & Angela Short) Early Shakespeare – it’s a kind of Dumb and Dumber – two friends scrap over the same girl, leading to slander, exile and attempted rape, with all merrily forgiven in the wash-up: not the Bard’s best by a long chalk, but no one can resist this early emanation of two great characters, the servant, Launce, and his mischievous dog, Crab. Let’s hear about Crab from the crypto St. Francis, Act IV, Scene IV: “When a man’s servant shall play the cur with him, look…
Continue Reading →Machu Picchu
"I swear too much" (Lisa McCune as Gabby)
(Dir. Geordie Brookman) (SA State Theatre Company, 16 April 2016) (written by Sue Smith) By Guest Reviewer Emma Machu Picchu, a destination dreamt about at Uni and never realised. Two young architects, who are madly in love with each other and the possibilities of life ahead, see their dream shattered and their love tested. The play starts with the couple projected about 25 years forward. Conversing while driving home from a health retreat, they reveal the complacency & irritation that comes with time spent together, the competing directions of their architectural interests, and the stresses of life. The romantic beginning and…
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