Category Archive: THEATRE
Der Freischutz
(By Carl Maria Friedrich Ernst von Weber, premiering in Berlin on 18 June, 1821) It is good news that Melbourne Opera staged this neglected gem not so long ago – bad news that TVC couldn’t get there to see it, and at the Athanaeum what’s more! It was reviewed by Peter Burch in ‘The Australian’. Quite daring when first staged in 1821, as much for the lower class characters as the ghostly theme that enchanted a young Wagner, Weber’s music is accomplished and highly accessible (touches redolent of Beethoven, and even, in overture, AIbioni) with effects used to great advantage, especially in the…
Continue Reading →Black Swan
(Dir. Darren Aronofsky) (2010) Natalie Portman is no Divine Zucchi as she samples various vices in an attempt to turn Odette into Odile. A heroic attempt by all concerned to synthesize the struggle and sacrifice of art looks and even feels impressive but, alas, is artless, a cliché, and ludicrous.
Continue Reading →Don Giovanni
Image courtesy of Barcex
English National Opera, London Coliseum (Autumn 2004) Oh Dear: what have we here? Don Giovanni is driven on stage in a clapped-out Ford Consul (or something – not good on cars, TVC will use Pam Ayres’ phrase) and out spills Donna Anna and Don Giovanni, covering up their junk. And downhill from there. This Calixto Bieto production was touted as “Mozart meets Reservoir Dogs” . It was more a case of ‘Salieri meets The Panic in Needle Park meets Cruising’. David Parry conducted. Eventually, some of the good bits floated back into our cerebral cortex, helped by wine chugged at…
Continue Reading →The Barber of Seville
(Opera Australia) (2007) Another can’t-miss piece, perhaps the greatest opera buffa of all, with typical Rossini touches – beautiful young lady, thwarted passion, a nasty guardian, identity confusion and a comically manipulative mastermind – was staged by OA over the country in 2007. Rossini’s score is uneven but joyous, featuring many popular melodies (e.g. the smash cavatina Largo al Factotum Della Citta – “Figaro sù, Figaro giù! Figaro quà, Figaro la!”). TVC saw the production in Melbourne (14/4/07), when there was last minute shuffling of the cast, Figaro being laryngeally inflamed, and replaced by his servant. The key role of…
Continue Reading →We Really Like the Theatre Guild
Whilst TVC is dubious as to artistic awards, the Theatre Guild of the University of Adelaide was justly honoured at the Adelaide Critics Circle Awards on 8th ultimo: Best Group Award (for Harold Pinter’s No Man’s Land), which also took out best individual performance (Michael Baldwin). TVC saw this production, which it liked to a degree over the source material. At the risk of being a Sally Field, “We like you! We really like you!”
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