(Adelaide Cabaret Festival, 18 June 2022) Two Disclaimers: (1) The Varnished Culture is not really that much into musicals (bad music, good acting), preferring opera (bad acting, good music). We couldn’t fit a musical in our list of the 20 finest films. However it is a great genre we suppose, and we have previously commented on some of the outstanding examples: Singin’ in the Rain, Cabaret, The Umbrellas of Cherbourg. We have also expressed our disdain for the more toxic entries, such as Cats and The Sound of Music. (2) Musical theatre is exempt from consumer law, so no producer…
Continue Reading →(Adelaide Cabaret Festival, 17 June, 2022) Shanghai in the 1920s and 1930s was “The Paris of the East, the New York of the West,” at least in popular myth, and in old Hollywood films: where elegance rubbed shoulders with depravity but always in a well-dressed way: glittering gowns, elegant cheongsams, dinner suits and white mess jackets, accompanied by a range of recreational poisons. And the night clubs along the Bund (the Shanghai waterfront) provided the venue, salted with the haute and the louche, and sugared by the Chinese chanteuses and hot bands playing French torch songs and shidaiqu (時代曲), a…
Continue Reading →(Her Majesty’s Theatre, 27 May 2022) Six the Musical, a pop music retelling of the story of the wives of Henry the Eighth of England was royally received in London, New York and Sydney. We are pleased to say that the Adelaide audience loved it just as much as Henry VIII adored Anne Boleyn, and not just at the beginning of it all. The capacity crowd cheered when the six wives appeared in a London pea-souper of dry ice mist and they were on their feet dancing when the queens gloriously asserted their individuality and agency at the end of…
Continue Reading →Dave Chapelle’s last (?) Netflix Special, 2021 Chapelle is almost always controversial, and worth watching (except for his Block Party Special, which was an ocean-liner-sized yawn) but in his valedictory show for Netflix, he seems to be intent – or resigned – to cancel himself. He has been criticized for being ‘transphobic,’ and has obviously spent a good deal of time reflecting on (and deflecting) this. It has affected his naughty boy comedy: the naughty boy is still there, twinkling at us through his not-so-innocent eyes, but the deconstruction of his often sensible stance is slightly chilling, and the effort…
Continue Reading →Adelaide Cabaret Festival, 25 June 2021 We thought nothing could stop the Eurovision Song Contest. The plastic glitter tv extravaganza that has been jauntily assaulting our eyeballs, ears and self-respect since 1956 is proof against international conflict, political controversy and stage-bombers. But a little virus from a non-competing country cancelled the contest in 2020 and Eurovision tragics had to content themselves with The Story of Fire Saga . The SBS music quiz tv show RocKwiz is keeping the legend alive in 2021 for those Australians who cannot travel. From the Gershwin Room in St Kilda’s Esplanade Hotel in Melbourne to…
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