Adelaide Festival 2020

October 30, 2019 | Posted by Peter Jakobsen | ART, DANCE, MUSIC, OPERA, THEATRE, WRITING & LITERATURE |

29 October 2019: TVC crept in to Bonython Hall at Adelaide University on a beautiful Spring Morning for the launch of the programme for the internationally renowned Adelaide Arts Festival (& Adelaide Writer’s Festival) in February/March 2020, the AF’s 60th year.  Expect ABC documentaries and coffee-table books aplenty! “The Big Reveal” (yes, ‘reveal’ is now a noun, evidently) was preceded by some homilies from Aunty Georgina Williams Ngankiburka Mekaune, Senior Woman of Water, who also dropped the (yawn-inducing) Welcome to Country upon us, along with a tag-team of professional signers, complete with their ‘jazz hands’ to emulate applause. Judy Potter,…

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Cuckoo

October 26, 2019 | Posted by Peter Jakobsen | THEATRE, THUMBNAIL REVIEWS |

By Jaha Koo (Oz Asia Festival – Space Theatre, Adelaide 25 October 2019) TVC has had problems with rice cookers before – but never like this.  Hana (the quiet one) makes the rice (which smelt very nice); Duri (the alpha one) talked about making rice, but mainly traded pungent barbs with the florid one, Seri, who came with coloured L.E.D and a boppy soundtrack (the local brand name for the cookers is “Cuckoo”). Their owner, auteur Jaha Koo, uses these appliances as a trope for the plight of his nation, South Korea, in the wake of the Asian economic crisis…

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Sydney Dance Company: “Neon Aether”/ “Cinco” / “WOOF”

August 10, 2019 | Posted by Lesley Jakobsen | ART, MUSIC, THEATRE |

Adelaide Festival Centre, 8 August 2019 *** Sydney Dance Company is marking its fiftieth anniversary with this three part performance, currently touring Australia.  Although each half-hour long part is created by an individual choreographer (after which it is named; the title-names above were not used in the Adelaide performance), all three are connected by a sinuous melancholy.  The corps, of 5 to 11 male and female dancers occupy an empty space, leavened only by fog and low, diffuse lighting. The first piece, choreographed by Gabrielle Nankivell, begins and is punctuated by darkness and the sound of machinery, perhaps a lift…

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Fiona O’Loughlin – “Gap Year”

July 29, 2019 | Posted by Peter Jakobsen | AUSTRALIANIA, THEATRE, THUMBNAIL REVIEWS |

At the Arkaba Hotel, Friday 26 July 2019 One of Fiona O’Loughlin’s most famous (notorious) routines has her recounting a typical Friday afternoon, picking the kids up from school and then home, via a detour to the drive- through at Liquorland (“It’s Mummy’s time now.”) She spoke of leaving the youngest behind by mistake, and not returning to collect him (“how would that look?”). The bit concluded with a wistful reference to sometimes seeing the little tacker at the wine emporium, complete with his specially-fitted Liquorland shirt. Several years on, and O’Loughlin’s act is not much changed – she is…

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Amazing India

April 9, 2019 | Posted by Peter Jakobsen | MUSIC, THEATRE, THUMBNAIL REVIEWS |

Music and Dance provided by alumni of Kalalaya School of Performing Arts, 6 April 2019, Dunstan Playhouse, Adelaide Festival Theatre The Varnished Culture has great admiration for Indian accomplishment (mixed with a fair bit of ignorance, but profound for all that). But we were not quite prepared* for the Amazing India experience, pretty much a Hindustani eisteddfod featuring all levels of students and tutors of the local Kalalaya School of Performing Arts.  From old-style classical dance forms such as Bharatnatyam and cadenced Kathak, to modern, salacious Bollywood numbers, an enthusiastic (at times, overly enthusiastic) audience were treated to 140 minutes of some 20…

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