A terrific and informed wrap-up of the Sydney Symphony orchestra’s Tristan und Isolde concert is to be found in the Richard Wagner Society of SA Inc’s August newsletter. The Varnished Culture did not attend the evening in Sydney, but we commented on some of the issues in our wrap-up, Great Hall. The general consensus is that the placement of the singers at the back of the hall, behind the orchestra, was an acoustic mistake, and the video projections a profound artistic error. The adverse effect of this mucking about is obvious; the motive is unclear. Lee Brauer’s perceptive account of the recent RWS…
Continue Reading →(Ernest Newman) This ‘earnest new man’ was a precise and authoritative Wagner enthusiast, but he stowed away gush and did not indulge in panegyric. Newman certainly had the measure of Wagner the man (as his 12 cassette audiobook Wagner As Man and Artist shows). Yet his love and appreciation of Wagner’s work shines in this single-volume complete Opera companion, the kind of work to thoroughly research beforehand if you want to accentuate the payoff of seeing a Wagner, or to skim afterwards to clarify any nuance or symbol left opaque by a particular production. As Newman says in his introduction, whilst “…a…
Continue Reading →(Dir. Tony Palmer) (1983) 4 DVDs, 10 episodes, 9 hours – what else from a Wagner bio? A sprawling, at times maddeningly repetitive and almost redundant film (originally foisted on the world as a one-off cinema release!) is none the less painstaking, illuminating, and beautiful, as good as you could expect in fact. Richard Burton gives a great rendition of that other talented belligerent named Richard, suggesting the inner arrogance, drive and sacrificial impulse of the master composer. The episodes are linear, essentially, with flashes forward, backward and sideways. One for those who know and care about Wagner and his legacy. [*Clive…
Continue Reading →(Ensemble Le Monde, Elder Hall, 29 May 2015) ELM gave us a varied programme, with Serenade in C Major for String Trio by Dohnányi. Played in 5 short bursts, each part crowded with disparate moods, ideas and tones, this unfamiliar (to TVC) work is of great interest and showed the versatility of violin, viola, cello. During the soft, still moments, the cello acted almost as a harp. A larger portion of the ensemble gathered for Richard Strauss’ tone poem Till Eulenspiegel einmal anders! TVC is willing to give Strauss points for his operatic and several symphonic works, but it is hard to underrate this one,…
Continue Reading →Richard Wagner (b. 22 May 1813) Happy 202nd anniversary to the Old Fellow! We present an image of the artist as a young Lohengrin, hope Placido sings a little Swan-King today and look forward to Wagner Society SA bash on Sunday (see below). “Mein lieber Schwann!” Sunday afternoon, 24 May, the Wagner Society of SA hosted a lunch and talk by Gillian and Nicholas Braithwaite. Jill is a violinist of note and Nicholas is the highly esteemed conductor (he led ASO from 1987 to 1991), he has recorded and conducted all over the world. The Braithwaites gave a sparkling talk on the…
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