Wagner
Barrie Kosky’s Das Rheingold
(Palace Nova, October 2023) Reviewed by Philippa Thomas Barrie Kosky’s Das Rheingold worked superbly in the live screened London Royal Opera performance seen by some lucky Adelaide Wagner lovers at our Palace Nova Prospect cinema this month. The screening included a short explanatory interview with Kosky and conductor Antonio Pappano, where Kosky explained that his own planned Ring cycle deals with “recognisable human beings with all their flaws” within a context of “the unexplained“. His stress is on the origins from Greek tragedy rather than Norse mythology. Many opera critics have reviewed this production positively – both Pappano’s conducting and…
Continue Reading →Richard Wagner: “The Ring” Reprise
The Ring on TV and in Adelaide On Sunday 28 May 2023, the Richard Wagner Society SA celebrated the Maestro’s birthday with a cake cutting, and an array of Wagner accoutrements (see below). And President Geoff Siedel introduced two documentaries on that well known “story of a man who buys a house and can’t keep up the payments”, the first concerning the televised premiere of a Bayreuth Ring in 1980; the second concerning the mounting of the Adelaide production in 2004. These items above were from the sublime Adelaide Ring. As we have written, with Asher Fisch rehearsing at great…
Continue Reading →An Unfamiliar Ring
Spellbound: “The Ring Without Words” (inter alia) Adelaide Town Hall, Friday night, 29 July 2022 We had previously had a taste of this courtesy of the ASO and Richard Wagner Society of SA. And we had been somewhat skeptical about the idea of synthesizing Wagner’s immense cycle, sans the singing: would it be, as some have said of the piece, akin to setting your car radio on ‘scan’ and listening to grabs of melody as they hurtled past? But before this, we had to endure several rather mediocre (in my view) Richard Strauss songs, even though they were expertly presented…
Continue Reading →The Ring Without Words
(Der Ring ohne worte) (Richard Wagner Society SA @ the Grainger Studio, ASO, 10 July 2022) And we thought trying to present Every Musical Ever in an 80 minute show was audacious: in 1987, conductor/composer Lorin Maazel, one of the few Ukrainians we’ve heard of, created a “symphonic synthesis” with the Berlin Philharmonic of Wagner’s Ring Cycle (the tetralogy taking about 16 hours in full), reduced to a 77 minute recording. The Adelaide Symphony Orchestra’s Conductor Laureate Nicholas Braithwaite, a great friend of the RW Society, gave a very informative and entertaining talk (with musical and visual demonstrations) deconstructing how…
Continue Reading →Wagner and the Snowy Uplands of Utopia
Christmas Celebration of the Richard Wagner Society of SA, November 28, 2021 A very pleasant lunch ended the Wagner year with regrets for what could have been (The Ring in Brisbane, for example, cancelled for the 2nd year running) although we are now told it’s to return in December 2023. The RWS (SA) chose the Tribschen Idyll as its Christmas theme, marking that cold day in 1870 when it was first performed on the steps inside Richard’s and Cosima’s house (main image). Presented as a Birthday / Christmas gift from Wagner to Cosima on 25 December, it features all the…
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