"Isle of the Dead" by Arnold Böcklin (1880)
He felt he had lost the edge, Somewhere along the way. He thought he could only improve, That his powers were permanent, But he badly misjudged his talents And the transient mood of the throng, Woke to find he had lost the edge, Somewhere along the way. So he glanced more sharply, more often At the image growing closer before him; Rubbed the surface of the mirror with vigor, To gain clarity of perception, But with deep disappointment, he realized That the portrait grew ever still fainter, One day it would blacken and vanish, Somewhere along the way.
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Picture courtesy of Dr Daniela Kaleva
To the Mortlock Chamber in the State Library of SA, to hear L’Arianna abbandonata e gloriosa and Lamento d’Arianna (1608), works reconstructed from Monteverdi’s fragmented scores, with solo voice and harpsichord, accompanied by the odd stage effect to evoke waves crashing on lonely Naxos, where (failed Argonaut) Theseus has parked Ariadne to show his gratitude for her help surviving the labyrinth on Minos. This paring away eschews the go-for-baroque approach that could overwhelm the purity of the harmonics, which are quite reminiscent of Purcell’s Dido pieces…
Continue Reading →(by Virgil) Iliad begat Aenid begat Commedia…Virgil links two classic works 2,000 years apart with a masterpiece of his own, wherein Aeneas goes to Rome and wreaks Trojan revenge on the successors of Attic Greece, with everyone satisfyingly getting what’s coming to them. Full of images and phrases resplendent either in English or in dodgy Latin. Thus Walter Pater (in Appreciations) “I am reading over again the Aeneid, certain verses of which I repeat to myself to satiety. There are phrases there which stay in one’s head, by which I find myself beset, as with those musical airs which are…
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