(2013) Tilda Swinton sleeps, encased in glass, at MoMA in Manhattan. The bed is cleaner than Tracey Emin’s but Tilda, with her death’s head and pale, slight figure, surely can find better roles than this pallid piece of modern confectionary. At least Marina Abramovic nudes up. In a letter to The Australian, Mr Tony Hennessy of Casino, New South Wales, avers “Two people standing on a box may be difficult but it is not art”. This begs the old answer-less question ‘what is art?’ And the claim made by the pop artists ‘all art is already mediated’ surely confuses outcome…
Continue Reading →(by Hannah Arendt) The Varnished Culture finished this work none the wiser but better informed. Valuable as all eye-witness accounts are, it is nonetheless a moot point as to whether the ultimate Nazi bureaucrat is worth study at all. A trickier topic is the Stockholm-style compliance by some Jewish leaders, and touching on that exposes the author to a charge of excessive severity.
Continue Reading →(by Kenneth Clark) Really a compilation of scripts for a television series, this book, much ridiculed and parodied over the years (remember Monty Python’s “Are you civilised? Have you been civilised recently?”), is a wonderful, personal, informed view of humankind and culture from classical times to the then present (1968). Elegiac, nostalgic, pessimistic; almost everything in the arts since has borne out Clark’s view that “we can destroy ourselves by cynicism* and disillusion, just as effectively as bombs.” [* A cynic being a “man who knows the price of everything, and the value of nothing.” – Oscar Wilde, Lady Windermere’s…
Continue Reading →(by Christo) (2013) We all went to the gasometer near Duisberg to check out Christo’s installation, ‘Big Air Package’. We were sceptical about this Bulgarian wrapper but it was wonderful, a 90m high white balloon that cast an eerie, snow-like glow inside. Afterwards, we had German super-hospitality at dinner and beyond, salted with pessimism about Ms Merkel and the future of the Euro.
Continue Reading →(by Wyndham Lewis) The best (and bitchiest) book of the art demi monde ever written. As T. S. Eliot said of this masterpiece, “It is so immense I have no words for it.”
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