(Marcia Hines at Norwood Town Hall, Adelaide, 4 October 2024) She came from Boston to Australia on a six month gig in Hair, and 50 years later…she’s still here. And Australia is the better for it. Three times crowned as Australia’s Queen of Pop, Marcia’s lovely voice soars through all registers and her choice of material is broad but apt. At Norwood on Friday night, a packed Hall saw an enthusiastic (up in years) cohort get up and boogie, to songs such as Fire and Rain, I Want You Back, Shining, You, Disco Inferno, Jumpin’ Jack Flash, I Don’t Know…
Continue Reading →Her Majesty’s Theatre, Adelaide, 18 July 2024 “Writing about music is like dancing about architecture.” That’s how one feels in reviewing Dutch minimalist pianist Joep Beving, who is obviously a very nice guy, but his work is alarmingly redolent of the kind of records Windham Hill put out in the 1980s. We were told: “Beving’s latest endeavor, Hermetism, released in 2022, marks a return to solo piano, inspired by the ancient spiritual philosophy of Hermeticism. Through this project, Beving invites listeners into a meditative exploration of music’s ability to reflect the universal laws of nature and the interconnectedness of existence.”…
Continue Reading →Adelaide Festival Theatre, 12 June 2024 The most famous pair of legs since Betty Grable, Rhonda Burchmore took to the Cabaret Festival stage in a show that gave a full house souvenirs, stories, selfies and songs from her 42 year career (details linked in Wikipedia below), in an amusing reverie touching upon gigs and hotels from hell, celebrities with peccadillos, almost-but-not-quite meeting Michael Jackson, the idiosyncratic Betty Buckley and her vicious Macaw, and more. https://en.wikipedia.org/wiki/Rhonda_Burchmore Covering a wide range of songs from ONJ, Melissa Manchester, Eartha Kitt, Bette Midler, Michael Jackson, Amy Winehouse, etc., (song list below), Rhonda’s voice can…
Continue Reading →Malmö in Sweden got to host dear old sparkly Eurovison after Loreena’s win in 2023. Loreena was welded into a silver cocktail glass at the end of the evening and pushed onto the stage under a fringe of shredded shower curtains where she writhed and sang a rather wan version of her 2023 winning entry. Her stringy beige bodysuit shrank in the wash so her stylists had glued some robotic bits onto it. Very Eurovision. Looks 5/5, song 1/5. Our hosts this year were normal size, not angry and only two in number. It looks like Graeme Norton said, “I’m…
Continue Reading →(Die Dreigroschenoper) Her Majesty’s Theatre, Adelaide, 10 March 2024 It might not be opera, more cabaret Singspiel, but it was still pretty good. Brecht’s rosy worldview, his ‘Berlinized’ take on John Gay’s balladic Beggar’s Opera, was presented with great élan and sophistication under the direction of TVC’s bête noire, Barrie Kosky, with a subtly simple staging of moving Jungle-Jims, up and over which the cast nimbly climbed and clambered, and a cabaret-style spangly curtain through which heads, and sometimes feet, would peep. Brecht’s libretto is extremely witty but it isn’t really a Marxist social satire, rather a nihilistic view of…
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