(Directed by Oliver Hermanus, 2022) Well, this is a new idea for a story! A reserved and disciplined person of a certain age gets a terminal diagnosis and decides to LIVE before he shuffles off. Mr. Williams (Bill Nighy) is a decent enough chap but frosty (and is in fact referred to as ‘Mr. Zombie’) in a middle management civil service position*. The table of junior civil servants over which he presides (stiffly and politely, of course) is piled ridiculously high, with towers of aged paper and nothing ever gets done. After the appropriately stiff upper-lipped scene with the specialist,…
Continue Reading →These great film performances didn’t win an Oscar – so who cares? The Oscars have been a joke for decades, and the presentation doesn’t even live up to Johnny Carson’s famous description: “2 hours of sparkling entertainment packed into a 5-hour show.” Most of us know that when it comes to the Oscars, those people ain’t right. Disclaimer: When we say, for example, that De Niro gave a great performance in Taxi Driver, we are not having a shot at Peter Finch, who won the Oscar in that year. On the other hand, when Judy Garland didn’t win in 1954…..TVC…
Continue Reading →(Directed by Tom Gormican, 2022) It’s just silly. Hell, it’s Goofy. But as a buddy movie, it has some hilarious bits, until it goes into Full Utter Cage Kick-Ass-Action Mode (F.U.C.K.) and peters-out with a whimper. Nicolas Cage (Nicolas Cage) is in a slump. His agent has no good news, except he can clear his debts if he agrees to a guest appearance at a birthday party in Mallorca thrown by a rich fan, Javi Gutierrez. That rich fan (the very funny Pedro Pascal), is developing a script for Nic, despite the actor’s declared intention to retire. Javi’s persistence wilts…
Continue Reading →(A Memoir, 2022; edited by David Rosenthal from taped conversations, recorded from 1986 to 1991) George Segal said, “Paul Newman is the last star. He’s the link. We’re just actors.” Impossibly pretty, and self-consciously ‘cool,’ Newman was a Great Big Movie Star for about thirty years, and since filmgoers managed to look past the looks and the sass, he avoided becoming a symbol during most of that time. His best films are (or include) The Left-Handed Gun (1958), Cat on a Hot Tin Roof (1958), The Hustler (1961), Sweet Bird of Youth (1962), Hud (1963), Cool Hand Luke (1967), Butch…
Continue Reading →The films of Peter Weir (1974 – 2010) Peter Weir’s career is an enigma. He has huge reserves of talent, and we absolve him of all sins thanks to Picnic alone, but there are pockets of emptiness in many of his films, all of which are watchable (OK, maybe not Green Card). (As Norman Gunston might have asked, “13 films in 40 years, Peter? What do you do for a living?“) With the once respected Academy of the Motion Picture Arts and Sciences giving Peter a career-end-Oscar at its Governor’s Awards late last year), we review his oeuvre. 1974 The…
Continue Reading →