The Threepenny Opera

March 11, 2024 | Posted by Peter Jakobsen | CRIME, MUSIC, THEATRE, THUMBNAIL REVIEWS |

(Die Dreigroschenoper) Her Majesty’s Theatre, Adelaide, 10 March 2024 It might not be opera, more cabaret Singspiel, but it was still pretty good. Brecht’s rosy worldview, his ‘Berlinized’ take on John Gay’s balladic Beggar’s Opera, was presented with great élan and sophistication under the direction of TVC’s bête noire, Barrie Kosky, with a subtly simple staging of moving Jungle-Jims, up and over which the cast nimbly climbed and clambered, and a cabaret-style spangly curtain through which heads, and sometimes feet, would peep. Brecht’s libretto is extremely witty but it isn’t really a Marxist social satire, rather a nihilistic view of…

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Menzies versus Evatt

By Anne Henderson (2023) Robert Menzies and Herbert Evatt were both born before Australia was – in 1894 to be exact, in the colonies of Victoria and New South Wales respectively, but they would blossom under the soon-to-be-created Federal Commonwealth. Their natural intelligence and Victorian work ethic set them on the path to success, and to some degree, Australia became the better for their struggle, in that they brilliantly represented, and advocated for, different yet necessary principles and practices of the nation’s democracy. Menzies went to the Victorian bar, and still in short pants lead in the Engineers’ Case (1920),…

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The Zone of Interest

March 4, 2024 | Posted by Peter Jakobsen | Drama Film, FILM, HISTORY, THUMBNAIL REVIEWS |

(Directed by Jonathan Glazer, based on the book by Martin Amis) (2023) Poland is one beautiful country; with a plethora of mountains, verdant meadows, sea-coast, and more lakes than most. Which explains why so many imperialists wanted their grubby hands on it. In 1939, for example, as a result of the Molotov–Ribbentrop Pact, Poland was neatly sliced into two zones. One zone, the Russian one, executed an unknown number of Poles, sometimes with organisation, at other times in a haphazard panic. The German zone, where Poles (and others) were dealt with under typical Teutonic efficiency, is the ‘Zone of Interest’…

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Bel Canto, davvero!

February 27, 2024 | Posted by Peter Jakobsen | Classical Music, MUSIC, Opera, WAGNER |

Alberich monsters Mime (by Arthur Rackham)

Richard Wagner Society of South Australia – Wake for Wagner (18 for 13) February 2024 President Geoffrey Seidel welcomed, and Barbara Fergusson interviewed, tenor Andrew Goodwin. Andrew grew up in the inner west Sydney suburb of Summer Hill and after certain vicissitudes, got the opportunity, arranged by Mira Yevtich, to study at the St Petersburg State Conservatory. Since then, he has appeared in numerous roles* and performed with all the major Australian symphony orchestras, but thus far at least, in few Wagner operas (when this was pointed out, he hilariously channeled “The Fast Show” and said: “I’ll get my coat.”)…

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qui tacet consentire videtur

February 25, 2024 | Posted by Peter Jakobsen | LIFE, PETER'S WRITING |

Who wants suppression, of our hearts and minds, To herd a throng assaulted? Sheep fit to bleat such that all one finds Is oppression, exalted? Open their heads and then probe inside And gasp at the lacuna. You’ll find, not affairs that rise like any tide: Vamped Fortuna. When they run astray, when their passion is all spent Context is absurd, not the Go; When he who is silent seems to shrug and feign consent The strongest word is, until Doomsday, “No.”

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