Author Archive: Peter Jakobsen
Childhood
(By Shannon Burns – 2022) Having forgotten virtually all of my childhood (relentlessly happy I imagine, thus unfit to record), I tend to spurn memoirs of early years, having confined myself to undoubted classics, such as Gorky’s My Childhood, Speak, Memory, and Unreliable Memoirs. Childhood is a worthy addition to those classics and also stands as a bemused, relentless, almost angry monument to the power of compartmentalization (selective forgetting), and particularly, the redemptive and palliative power of great literature (Burns shares with others a love of The Brothers Karamazov). “We read to know we are not alone” (attributed to C.S. Lewis)…
Continue Reading →More from the Post-Eternal Phase
"Plate pole prop" by Richard Serra - minimalism ad absurdum
Museum of Contemporary Art, Sydney, 17 November 2024 Modern Art is, to an alarmingly increasing degree, pure fraud. It operates on ruthless market principles, clothed in doubletalk, agitprop, and gobbledegook. It has largely abandoned aesthetics and no longer seeks, were it even able, to be evocative. We call it the “Post-Eternal Phase,” because its representative works leave the mind as soon as one turns away, and its work is complete as soon as the cheque is cashed. As Robert Hughes once memorably observed, the role of modern art is to hang on the wall and get more expensive (a gaffer-taped…
Continue Reading →The New Jacksons on George
176 George Street, Sydney – (02) 8027 9997 When landing in Sydney, The Varnished Culture habitually strolled around to Jacksons on George for lunch while our hotel room was made ready. It was a typical old pub: dark, dingy and grungy, beers and sticky table-tops, Irish lasses behind the bar, an air of uncouth lassitude. We liked it. So imagine our surprise when, having been away from the Emerald City for a few years, we strolled into George Street to find a totally new and glamourous Jacksons on George, with a downstairs bar and concourse café, an upmarket bistro on…
Continue Reading →What the World Needs Now
A celebration of Burt Bacharach (Festival Theatre, 22 November 2024) Burt’s songs are deceptively light. Famously grumpy critic Lester Bangs called him “the Master of the Superficial.” But his love melodies, entwined with the lyrics of Hal David, among others, are, in fact, little masterpieces of intimate, intricate concision. He co-wrote 73 US top-40 songs, so he must have been doing something right. On Friday night, the Adelaide Symphony Orchestra, under Benjamin Northey, was in full lavish-and-lush mode, providing a gorgeous backdrop to accomplished singers David Campbell, Emma Pask, Thndo and Chantelle Ormandy. Unfortunately, vocalist Elise McCann was indisposed, but…
Continue Reading →Simone and the Valkyries
Die Walküre, Sydney Opera House, 15 November 2024 (Simone Young, Conductor /Sydney Symphony Orchestra/Stuart Skelton, Siegmund/Peter Rose, Hunding/Vida Miknevičiūtė, Sieglinde/Tommi Hakala, Wotan/Alexandra Ionis, Fricka, Roßweiße/Anja Kampe, Brünnhilde/ Helena Dix, Helmwige/Madeleine Pierard, Gerhilde/Natalie Aroyan, Ortlinde/Deborah Humble, Waltraute/Margaret Plummer, Siegrune/Kristin Darragh, Grimgerde/Liane Keegan, Schwertleite) The Sydney Opera House does not have the capacity to mount a proper Ring Cycle, but its beautiful concert hall can put on a brilliant concertized version, and Die Walküre offers a chance to savour the key spoke in Wagner’s wheel without the distractions of the monumental amount of staging required for a full-scale production. Instead there were…
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