Category Archive: Opera
Barrie Kosky’s Das Rheingold
(Palace Nova, October 2023) Reviewed by Philippa Thomas Barrie Kosky’s Das Rheingold worked superbly in the live screened London Royal Opera performance seen by some lucky Adelaide Wagner lovers at our Palace Nova Prospect cinema this month. The screening included a short explanatory interview with Kosky and conductor Antonio Pappano, where Kosky explained that his own planned Ring cycle deals with “recognisable human beings with all their flaws” within a context of “the unexplained“. His stress is on the origins from Greek tragedy rather than Norse mythology. Many opera critics have reviewed this production positively – both Pappano’s conducting and…
Continue Reading →Richard Wagner: “The Ring” Reprise
The Ring on TV and in Adelaide On Sunday 28 May 2023, the Richard Wagner Society SA celebrated the Maestro’s birthday with a cake cutting, and an array of Wagner accoutrements (see below). And President Geoff Siedel introduced two documentaries on that well known “story of a man who buys a house and can’t keep up the payments”, the first concerning the televised premiere of a Bayreuth Ring in 1980; the second concerning the mounting of the Adelaide production in 2004. These items above were from the sublime Adelaide Ring. As we have written, with Asher Fisch rehearsing at great…
Continue Reading →Lohengrin
(Melbourne Arts Theatre, 21 May 2022) Lohengrin marked the end of Wagner’s ‘first phase’ and remains one of his loveliest operas, in musical terms (the overture alone is a gorgeous amuse-bouche)*. The story is, of course, very silly: Elsa (Emily Magee) is accused of doing away with her brother, heir to the Throne of Brabant, the charges levelled by nasty Telramund and his ‘handler,’ Ortrud (the very fine and sexy Simon Meadows and Elena Gabouri). King Heinrich (Daniel Sumegi) calls for divine intervention, and after some nervous foot-shuffling by the assembled knights, there, in a puff of swan feathers, is…
Continue Reading →The Golden Cockerel
By Nikolai Rimsky-Korsakov/ Directed by Barrie Kosky (Adelaide Festival, 9 March 2022) Pushkin’s slight morality fable of the idiocy of war-mongering autocracy (1835) was taken up (1907) by Rimsky-Korsakov as a reflection of the faltering reign of Tsar Nicholas II, who made Joe Biden seem like Pericles. The so-called dark wit, surreal burlesque, and satirical messaging is, regrettably, lost in this production. A colossal, over-extravagant Russian in-joke makes a not very good opera…and Mr. Kosky has, with his peculiar genius, turned it into an excruciating, absurdly repetitive, extended Monty python skit (we recalled Terry Gilliam’s filler cartoons from that series)….
Continue Reading →For Whom the Bell Rings
August 2021: The Varnished Culture is gutted to learn that the Brisbane Ring Cycle set for October and November has been cancelled for the Second Time. Due to the damn faux-plague. Opera Australia’s statement of 19/8/2021 followed its message to ticket holders the previous Tuesday: We’re sad to announce that all upcoming performances of the Ring Cycle and Aida in Brisbane have been postponed due to COVID travel restrictions. This is hugely disappointing news, but we are committed to re-scheduling these spectacular productions so that the seven years of planning that has already gone into this project won’t go to waste….
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