Category Archive: Modern Music
An Evening Without Kate Bush
(Adelaide Fringe, Garden of Unearthly Delights, 13 March 2025) Kate Bush, is, like one of her influencers Emily Bronte, both genius and mystic. Her look, her voice, her entire unique and brilliant oeuvre, have entranced us ever since her debut in 1978, aged 19. Sarah-Louise Young is clearly a Kate obsessive, and her show, a dizzy mash-note, is clearly for fans (we mean that in a good way), the Fish People, but it is witty and vibrant enough to please those ignorant of Kate-World. Whilst the music is pre-recorded, Young is not: her voice is strong and she inhabits the…
Continue Reading →What the World Needs Now
A celebration of Burt Bacharach (Festival Theatre, 22 November 2024) Burt’s songs are deceptively light. Famously grumpy critic Lester Bangs called him “the Master of the Superficial.” But his love melodies, entwined with the lyrics of Hal David, among others, are, in fact, little masterpieces of intimate, intricate concision. He co-wrote 73 US top-40 songs, so he must have been doing something right. On Friday night, the Adelaide Symphony Orchestra, under Benjamin Northey, was in full lavish-and-lush mode, providing a gorgeous backdrop to accomplished singers David Campbell, Emma Pask, Thndo and Chantelle Ormandy. Unfortunately, vocalist Elise McCann was indisposed, but…
Continue Reading →Joep Beving : Hermetism
Her Majesty’s Theatre, Adelaide, 18 July 2024 “Writing about music is like dancing about architecture.” That’s how one feels in reviewing Dutch minimalist pianist Joep Beving, who is obviously a very nice guy, but his work is alarmingly redolent of the kind of records Windham Hill put out in the 1980s. We were told: “Beving’s latest endeavor, Hermetism, released in 2022, marks a return to solo piano, inspired by the ancient spiritual philosophy of Hermeticism. Through this project, Beving invites listeners into a meditative exploration of music’s ability to reflect the universal laws of nature and the interconnectedness of existence.”…
Continue Reading →Edge of Reality
(Created by Paul Grabowsky, Adelaide Festival Centre, 14 June 2023) Elvis Presley and Cabaret? But of course! If you Can Dream, avoid that Kentucky Rain, have a Little Less Conversation, perhaps have you Always on Our Mind, and do it My Way, it could work. And this night, it kinda-did, care of Paul Grabowsky’s absolutely clever re-working of the arrangements of the King’s greatest hits (and some lesser mortals), with a terrific jazz/rock/fusion band (piano, guitar, cello, clarinet, trumpet, fiddle, drums, glockenspiel?) and starring celebrated Australian vocalists Joe Camilleri and Deborah Conway, Edge of Reality is a unique tribute to…
Continue Reading →Eurovision 2023
Ah Eurovision! How we love you – always oozing zeitgeist. As the fashion of 2023 is virtue-signalling, so Eurovision 2023 is all woke and everything. But not even the po-faced killjoys of intersectionality politics can strip the time-honoured Eurovision Song Contest of its retro, delusional charm and Martian qualities. No! Though it nods to the real world, Eurovision will never be mainstream or proper. It is…Eurovision… So the 2023 Grand Final (in Liverpool, England because the 2022 winner Ukraine is at war) started true to form with an inexplicable number featuring Cousin-It ‘dancers’ in ghillie-suit-womble ensembles, a bit like those…
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