(Adelaide Fringe, Garden of Unearthly Delights, 13 March 2025) Kate Bush, is, like one of her influencers Emily Bronte, both genius and mystic. Her look, her voice, her entire unique and brilliant oeuvre, have entranced us ever since her debut in 1978, aged 19. Sarah-Louise Young is clearly a Kate obsessive, and her show, a dizzy mash-note, is clearly for fans (we mean that in a good way), the Fish People, but it is witty and vibrant enough to please those ignorant of Kate-World. Whilst the music is pre-recorded, Young is not: her voice is strong and she inhabits the…
Continue Reading →Ah Eurovision! How we love you – always oozing zeitgeist. As the fashion of 2023 is virtue-signalling, so Eurovision 2023 is all woke and everything. But not even the po-faced killjoys of intersectionality politics can strip the time-honoured Eurovision Song Contest of its retro, delusional charm and Martian qualities. No! Though it nods to the real world, Eurovision will never be mainstream or proper. It is…Eurovision… So the 2023 Grand Final (in Liverpool, England because the 2022 winner Ukraine is at war) started true to form with an inexplicable number featuring Cousin-It ‘dancers’ in ghillie-suit-womble ensembles, a bit like those…
Continue Reading →29 October 2019: TVC crept in to Bonython Hall at Adelaide University on a beautiful Spring Morning for the launch of the programme for the internationally renowned Adelaide Arts Festival (& Adelaide Writer’s Festival) in February/March 2020, the AF’s 60th year. Expect ABC documentaries and coffee-table books aplenty! “The Big Reveal” (yes, ‘reveal’ is now a noun, evidently) was preceded by some homilies from Aunty Georgina Williams Ngankiburka Mekaune, Senior Woman of Water, who also dropped the (yawn-inducing) Welcome to Country upon us, along with a tag-team of professional signers, complete with their ‘jazz hands’ to emulate applause. Judy Potter,…
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