Category Archive: Comedy Film
Love Serenade
(Dir. Shirley Barrett) (1996) There is simply something fundamentally wrong with Dimity and Vicki-Ann, lonely-heart sisters in Sunray, Queensland, back of nowhere. Why the wheelchair? Why the obsession with lounge lizard Ken Sherry? Why are they so obviously mad as hatters? Why does Sherry eat no fish yet has a giant marlin mounted on the wall? Why all the casseroles left on his doorstep? Why did he leave big time radio and TV in Brisbane? Why does he quote “Desiderata” (with due respect to Max Ehrmann, the most pretentious farrago ever twaddled)? Are there killer fish or black holes in…
Continue Reading →Vale Mike Nichols
NOVEMBER 19, 2014 VALE Mikhail Igor Peschkowsky (Mike Nichols) November 6, 1931 – November 19, 2014 Nicholls was multifaceted, building a career in live comedy, theatre, films and television. Though he had a reputation as a golden boy (making his film debut Who’s Afraid of Virginia Woolf? directing Burton and Taylor, cleverly innovating techniques to enhance the claustrophobic intimacy of that night from hell, and winning a best director gong the next year by casting against stereotype in The Graduate) he had as many flops as hits but they remained interesting. His routines with Elaine May in the 1950s and…
Continue Reading →The Lost One – A life of Peter Lorre
(Stephen Youngkin) Standard, almost obsessively detailed reference book on the whispering menace. Peter (born: Lazlo Loewenstein) was perfect in the film roles of the 1930s and 1940s, the smartest person in the room but always with a touch of sadness. Peter gets to stroll the green lanes of Paradise for his work in M, Mad Love, Crime and Punishment, Strange Cargo, The Maltese Falcon, Casablanca The Beast with Five Fingers, The Mask of Dimitrios, and Beat the Devil. He gets censured for taking work away from actors of certain nations and ethnicities, e.g., Japanese (the Mr Moto films), Chinese (They…
Continue Reading →Who’s Afraid of Virginia Woolf?
(dir. M Nicholls) (1966) Fortify yourself before attending a party at George and Mildreds’. More Albee-inspired drink and depravity with great overheated performances (a big tick in particular for Sandy Dennis).
Continue Reading →His Girl Friday
(Howard Hawks) (1940) High speed comedy with no feelings spared. Cary Grant’s and Rosalind Russell’s finest hour. Hilde has left Walter and the newspaper business behind, or so she thinks….
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