(dir. David Dobkin) To make a film as bad as this, more ingredients are required than Hollywood plot #7, additional clichés and dollops of sentimentality. To the mix must be added really good actors – (Roberts Downey and Duvall; Billy Bob Thornton and Vincent d’Onofrio, who is starting to look like a confusing cross between Charles Durning and Brian Dennehy) – so that the hapless viewer is all the more disappointed when it turns out that there really is no more to this than appears. Avoid.
Continue Reading →(dir. Robert Rossen) (1961) A tough, raw, hard-hearted story of Eddie Felsen (Paul Newman) who wants to move up from two bit hustling at pool to beat the best, Minnesota Fats (Jackie Gleason). Great pool scenes: Fats’ seven- ball in the corner is a shot Eddie Charlton would be proud of. Newman is also highly competent, although he joked of shooting some pool decades later when a youth approached, declaring he’d seen The Hustler dozens of times and that watching Newman play pool was one of the great disappointments of his life. Perhaps Eddie does shoot good but also lucky….
Continue Reading →Walk into any Chinatown in the world and you will struggle to find these. You can buy them online but they are not cheap. Yet they seem to show up, unbilled, in every other film and television show. Our list is below, suggested additions are welcome: Affliction AGL gas advertisement Anchorman: the Legend of Ron Burgundy The Bank Bewitched Big Bang Theory Bobby Borgen (Danish TV) Bugsy The Caretaker Catch Me if you Can Columbo Curb Your Enthusiasm Decoding Annie Parker Deconstructing Harry Dexter Election End of Days Eternal Sunshine of the Spotless Mind Family Guy A Few Good Men…
Continue Reading →NOVEMBER 19, 2014 VALE Mikhail Igor Peschkowsky (Mike Nichols) November 6, 1931 – November 19, 2014 Nicholls was multifaceted, building a career in live comedy, theatre, films and television. Though he had a reputation as a golden boy (making his film debut Who’s Afraid of Virginia Woolf? directing Burton and Taylor, cleverly innovating techniques to enhance the claustrophobic intimacy of that night from hell, and winning a best director gong the next year by casting against stereotype in The Graduate) he had as many flops as hits but they remained interesting. His routines with Elaine May in the 1950s and…
Continue Reading →