Category Archive: FILM
Edge of Darkness
(Dir. Martin Campbell) (1985) Northern copper Ronnie Craven has picked up his daughter Emma from college and taken her home to eat ratatouille when a loony ex-con and informer jumps out of the bushes and shoots her dead, presumably meaning to kill the father. After (whilst still in?) the shock of this outrage, Craven starts to manifest numerous delusions, probably stemming from post traumatic stress disorder. For example, he thinks he’s a tree! He still converses with Emma. He thinks the murder-gone-wrong was nothing more than a front for a vast, labyrinthine conspiracy by the dark forces of global nuclear…
Continue Reading →Dogville
(dir. Lars von Trier) (2003) Before he developed a cinematic messiah complex and turned out stuff such as Melancholia, Trier did some intriguing and dramatically satisfying work. If viewers can overlook staginess, this film is a gem, an Arthur-Miller-meets-Eugene-O’Neill tour in hell, with great turns by a really interesting cast. Not for all tastes. Ms Kidman’s momentous philosophical discussion with Mr Caan at finale a highlight.
Continue Reading →The Dinner Game
(dir. Francis Veber) (1998) Kenneth Tynan said that you have to be cruel to be kind in high French comedy. In the present case, a bunch of nasty Parisian swells convene a regular dinner in which they have to bring along an unsuspecting dill, each with his own dumb hobby/obsession that their hosts can suavely, and discretely, mock. The book publisher’s friend has, by accident, found an idiot for the next round – in fact, he’s a world champion. But most satisfyingly, cruelty loses to stupidity in this sublime Gallic turn, and one also learns how many matches it takes…
Continue Reading →A Delicate Balance
(dir. Tony Richardson) (1973) One Friday night a tense little New England family receives a surprise visit from a couple of old friends. It seems they were at home and suddenly ‘became frightened’ for no apparent reason. So they decide to move in with their oldest friends, opening up some old, and some still warmly moist, scars, testing the limits and concept of true friendship. More delectable, drunken, hate-filled east coast dummy-spits from Edward Albee. The Varnished Culture always draws the cat’s attention to what might happen to him if he ever “doesn’t like us anymore”.
Continue Reading →Dead Man
(dir. Jim Jarmusch) (1996) Johnny Depp rides again, or should it be sails, into the sunset, only this time, weird works. [As Depp Indian films go, this is as good as The Lone Ranger is execrable…]
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