Category Archive: MUSIC
Vale David Bowie
(photo by Adam Bielawski)
David Bowie (8 January 1947 – 10 January 2016) He was a total original, part of the vanguard of the synthesiser revolution, a singer-songwriter of genius, an innovative producer and arranger (e.g. Transformer), a rather odd but always compelling actor (he is appropriately weird in The Man Who Fell to Earth and The Hunger), and, in the best sense of the term, a trend-setter. From avant-garde to Ziggy Stardust and the Spiders From Mars, through Young Americans, the Berlin trilogy of Low, “Heroes” and Lodger, and Scary Monsters (And Super Creeps), he mesmerised with his masterful changes of style, change of persona, angelic…
Continue Reading →Unfaithful Music & Disappearing Ink
(By Elvis Costello) (2015) We’ve been admiring EC from afar and occasionally up close, for a very long time. So we come to his autobiography with relish and trepidation. It is not as good as Speak Memory, the greatest autobiography ever penned, but it is hugely impressive – more a dense memory-book than a straight auto-biog, and much more concerned with music and music people than his own ego. He is obviously and rather charmingly challenged by autobiography, preferring the more oblique method of song lyrics and anecdotes, and saying of the process: “I don’t much care for the subject.”…
Continue Reading →One More For the Road
(Frank Sinatra, December 12, 1915 – May 14, 1998) Francis Albert Sinatra, of Hoboken, New Jersey, is 100 today. Fly him (who created the American songbook) to the moon! His presentation of torch songs was stoic but sad. (Imagine a gambler whose girlfriend – Ava Gardner, say – has walked out on him). He’d come on and spill his heart over the stage, then pick himself up and get back in the race, as if to say ‘That’s life – rise above it.’ For example, at “The Sands”, with Count Basie on piano, he has a full-to-bursting room silent and rapt with a drunk…
Continue Reading →Tannhäuser
The naughty knight with Venus (Otto Knille, 1873)
(Richard Wagner) (1845) (Met, December 2015) An old-fashioned, rollicking and surprise-free production, beautifully sung and shockingly acted (Johan Botha can’t even manage to convincingly strum the symbolic lyre) with James Levine leading the orchestra (James Jorden in The Observer rudely suggesting that he “flapped his baton like a wounded bird”). Terrific early Wagner, with a stark and invariably crass look at a medieval gallant’s perennial struggle twixt sacred and profane love – the orgasmic overture leading on to the writhing, wriggling Venusberg – replete with smudged borders between high church and low conduct, and a fairly unsatisfying denouement. Leaves on a staff? …
Continue Reading →The Gandhi of Rock
(Pete in Toronto, 1974 - photo by Jean-Luc Ourlin)
Peter Gabriel (b. 13 February 1950) Gabes grew up in public. Precocious and vulnerable, his relatively privileged upbringing (he schooled at Charterhouse) inured him from fear of failure. This gave him, for a time, freedom to make Genesis a really innovative group, who came up with several interesting albums before they morphed into a somewhat blander supergroup. He left Genesis just as it began to take-off, with a gnostic note to the world that said “I had a dream, eye’s dream. Then I had another dream with body and soul of a rock star. When it didn’t feel good I packed it in…” And…
Continue Reading →