(dir. Robert Rossen) (1961) A tough, raw, hard-hearted story of Eddie Felsen (Paul Newman) who wants to move up from two bit hustling at pool to beat the best, Minnesota Fats (Jackie Gleason). Great pool scenes: Fats’ seven- ball in the corner is a shot Eddie Charlton would be proud of. Newman is also highly competent, although he joked of shooting some pool decades later when a youth approached, declaring he’d seen The Hustler dozens of times and that watching Newman play pool was one of the great disappointments of his life. Perhaps Eddie does shoot good but also lucky….
Continue Reading →(by H Kissinger) World Order is a knotty concept prone to interpretations of violent subjectivity. On the one hand, we have the seers of doom, who see only a world in chaos and inevitable decline (e.g. Mark Steyn). Farthest from this on the spectrum are the utopian promoters of one world governance (to whom one recommends an urgent reading of Thomas More). Along the way are those who deprecate the notion of order at all, preach heterogeneity and the cult of small-as-beautiful, the barrackers of old powers, cultists for the new such as the revived Middle Kingdom or ISIS, or…
Continue Reading →Picture courtesy of Dr Daniela Kaleva
To the Mortlock Chamber in the State Library of SA, to hear L’Arianna abbandonata e gloriosa and Lamento d’Arianna (1608), works reconstructed from Monteverdi’s fragmented scores, with solo voice and harpsichord, accompanied by the odd stage effect to evoke waves crashing on lonely Naxos, where (failed Argonaut) Theseus has parked Ariadne to show his gratitude for her help surviving the labyrinth on Minos. This paring away eschews the go-for-baroque approach that could overwhelm the purity of the harmonics, which are quite reminiscent of Purcell’s Dido pieces…
Continue Reading →