Once Upon a Time in Hollywood

August 19, 2019 | Posted by Peter Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

(Directed by Quentin Tarantino) (2019) *** In the late 1960s, late in his career, Ezra Pound discussed his monumental work, The Cantos, calling it a ‘botch.’ When asked, “‘You mean it didn’t come off?’ the poet replied: ‘Of course it didn’t. That’s what I mean when I say I botched it.’ He then went on to describe a shop window full of various objects: ‘I picked out this and that thing that interested me, and then jumbled them into a bag. But that’s not the way’, he said, ‘to make’ – and here he paused – ‘a work of art.’”* Hollywood…

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Sir Vidia on El Dorado

August 15, 2019 | Posted by Peter Jakobsen | HISTORY, Non-Fiction, WRITING & LITERATURE |

V.S. Naipaul (17 August 1932 – 11 August 2018) was fairly down on colonialisation, perhaps because he correctly divined its attendant psychology.  Here he is on Columbus, Robinson Crusoe and the quest for El Dorado: “The facts about Columbus have always been known. In his own writings and in all his actions his egoism is like an exposed deformity; he condemns himself. But the heroic gloss, which is not even his own, has come down through the centuries…In this adventure, as in today’s adventures in space, the romance is something we ourselves have to apply…But the black legend of Spain…

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Girl’s Night Out

Simone Young and the Adelaide Symphony Orchestra and Guests, Adelaide Town Hall, 9 August 2019 ***1/2 One can be ambivalent, even resentful about Richard Strauss, with his ‘stress-without-storm’ tone poems, dalliances with flaxen-haired girleens, Daddy-jokes, and general frivolity, even (and perhaps especially) concerning Nazis. Yet who could resist an evening of his pieces by the ASO conducted by Simone Young, featuring 4 great female singers, the romantic feminine being the essence of his oeuvre? The programme of works says it all: included were interludes from Intermezzo, Capriccio and Salome; snippets from Ariadne auf Naxos, duets from Arabella, and a selection from…

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Sydney Dance Company: “Neon Aether”/ “Cinco” / “WOOF”

August 10, 2019 | Posted by Lesley Jakobsen | ART, MUSIC, THEATRE |

Adelaide Festival Centre, 8 August 2019 *** Sydney Dance Company is marking its fiftieth anniversary with this three part performance, currently touring Australia.  Although each half-hour long part is created by an individual choreographer (after which it is named; the title-names above were not used in the Adelaide performance), all three are connected by a sinuous melancholy.  The corps, of 5 to 11 male and female dancers occupy an empty space, leavened only by fog and low, diffuse lighting. The first piece, choreographed by Gabrielle Nankivell, begins and is punctuated by darkness and the sound of machinery, perhaps a lift…

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Fiona O’Loughlin – “Gap Year”

July 29, 2019 | Posted by Peter Jakobsen | AUSTRALIANIA, THEATRE, THUMBNAIL REVIEWS |

At the Arkaba Hotel, Friday 26 July 2019 **** One of Fiona O’Loughlin’s most famous (notorious) routines has her recounting a typical Friday afternoon, picking the kids up from school and then home, via a detour to the drive- through at Liquorland (“It’s Mummy’s time now.”) She spoke of leaving the youngest behind by mistake, and not returning to collect him (“how would that look?”). The bit concluded with a wistful reference to sometimes seeing the little tacker at the wine emporium, complete with his specially-fitted Liquorland shirt. Several years on, and O’Loughlin’s act is not much changed – she…

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