Greta

March 21, 2019 | Posted by Lesley Jakobsen | Drama Film, FILM, THUMBNAIL REVIEWS |

(Directed by Neil Jordan) (2018) This tedious, derivative piece of trash begins when nice, naive young Frances (Chloë Grace Moretz, using every tic and twitch she can summon, and that’s a lot) finds a chic handbag in a subway carriage. Oddly enough, no-one else is interested in it. Even more oddly, all of the lost luggage offices in the entire New York subway system must have been permanently closed, if this film is to make any kind of sense at all. But there we are. Back at home in their luxurious loft apartment, Frances and her flatmate Erica (Maika Monroe,…

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Films to Help Remember Phone boxes

March 19, 2019 | Posted by Guest Reviewer | FILM, LIFE |

Cigarettes, hats & gloves, phoneboxes…where did you go? Here’s an aide memoire for phoneboxes…let us know of more! Anchorman: The Legend of Ron Burgandy The Apartment Dr Strangelove The French Connection Get Smart Glengarry Glen Ross Goodfellas I Know Where I’m Going!   The King of Comedy The Maltese Falcon North by Northwest The Rainmaker Ransom Séance on a Wet Afternoon The Servant The Silent Partner Sorry, Wrong Number Sunset Boulevard Superman Withnail & I [Italicised films are accompanied by images]

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Daisy Jones and The Six (by Taylor Jenkins Reid)

Cobalt Blue Eyes? Call the Doctor.

Daisy Jones and the Six is a fictional 1970s Fleetwood Mac style-ensemble fronted by a bewitching, raspy voiced woman (the eponymous Daisy) and a handsome, brooding guitarist-singer. The number is made up by a less ravishing woman on keyboards and a couple of other people not worth bothering about. Don’t bother reading Taylor Jenkins Reid’s novel either, just wait a while and you can watch it. The front cover declares deliriously that Renaissance Woman Reese Witherspoon “devoured” this book in a day, and you can bet that she’s put it on her shelf marked Miniseries? Netflix? Role for Ava?  We…

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Stan & Ollie

March 11, 2019 | Posted by Peter Jakobsen | FILM, THUMBNAIL REVIEWS |

It's another fine mess...

(Directed by Jon S. Baird) (2019) “Stan’s cry, or the frequent sight of Oliver, prostrated and turning up his face in speechless appeal, may seem unfunny at first acquaintance, but gradually grow upon one until they are hilarious, irresistible, looked-for, and cherished.”* And once you watch a few of Laurel and Hardy’s short and longer films (try Way Out West (1937), which we watched to get in the mood for the film under review, or Laughing Gravy (1931), which you can see on YouTube), the appeal starts to soak in: you sense something deep and loving under the chaos, peevishness, and…

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The Light and The Dark (C P Snow)

"Can't we simply make them Welsh by statute?" "Who?" "The Jews."

(1947) Roy Calvert has a light, quick, graceful stride. He is over middle height, slightly built but strong, upright and slender, full of ease and grace. His eyes glint a clear transparent hazel yellow and his expression is mischievous and grave when it is not sad, grave, stricken and haunted by a wild melancholy. His voice is clear, light and reedy. His smile is intimate and kind, or it might  be demure and secretive*. His is a style of extreme elegance and ease, he hits a cricket ball with statuesque grace and measured power. He is young, gifted and high-spirited….

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