Alexander Hamilton

(by Ron Chernow)

Definitive biography deals comprehensively with the life and work of the highly contentious Treasurer of the early republic.  (It largely bears out Gore Vidal’s fictional portrait of him in Burr). Hamilton was fundamentally a pessimist in an optimist’s land, who wrote that its inhabitants were fit for chains, hoping only for gold ones.

[Update: In Vidal’s novel Burr, Hamilton, a powerful figure in the highly-charged early political days of the American Republic, is referred to as “that Creole bastard.”  The record is redressed, better late than never, by Chernow’s fine work and a new musical by Lin-Manuel Miranda, in part based on the biography reviewed above. It takes a certain chutzpah to construct a musical around a Treasury Secretary – imagine an opera based on Peter Costello, Nigel Lawson or Tim Geithner – but this sounds like it might work.  I’ve seen the extract of the show, linked above, and whilst I managed to squirm through “Cats” on Broadway many years ago, I must say that, albeit on the small sample shown, “I’m throwing away my shot” at an attendance. On the other hand, as our Guest Reviewer reports, Hamilton might be well worth while seeing.]


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