Author Archive: Peter Jakobsen
The Richard Wagner Society
Wagner laughing at himself
14 April 2014 The Richard Wagner Society of SA presented Timothy Sexton, Artistic Director of State Opera SA, to present the inaugural Brian Coghlan Lecture in honour of its Past President. Sexton, who presented the Glass Trilogy in August 2014, was given the difficult brief of proving a link between Wagner and Glass, which he heroically did in an erudite and entertaining way, enlivened by musical examples. Although TVC‘s response to the lecture’s sub text “Was Richard Wagner the first experimental minimalist composer?” is a resounding “No”, we are now prepared to water down that ‘narrow-minded’ position a tad. Wagnerites…
Continue Reading →The Barber of Seville
(Opera Australia) (2007) Another can’t-miss piece, perhaps the greatest opera buffa of all, with typical Rossini touches – beautiful young lady, thwarted passion, a nasty guardian, identity confusion and a comically manipulative mastermind – was staged by OA over the country in 2007. Rossini’s score is uneven but joyous, featuring many popular melodies (e.g. the smash cavatina Largo al Factotum Della Citta – “Figaro sù, Figaro giù! Figaro quà, Figaro la!”). TVC saw the production in Melbourne (14/4/07), when there was last minute shuffling of the cast, Figaro being laryngeally inflamed, and replaced by his servant. The key role of…
Continue Reading →We Really Like the Theatre Guild
Whilst TVC is dubious as to artistic awards, the Theatre Guild of the University of Adelaide was justly honoured at the Adelaide Critics Circle Awards on 8th ultimo: Best Group Award (for Harold Pinter’s No Man’s Land), which also took out best individual performance (Michael Baldwin). TVC saw this production, which it liked to a degree over the source material. At the risk of being a Sally Field, “We like you! We really like you!”
Continue Reading →The Imitation Game
(Dir. Morten Tyldum) (2014) There have been many books and indeed many films concerning Enigma and Ultra. All are unsatisfactory to varying degrees. The present effusion suffers from a common defect. It is hard to engage us, in cinematic terms, by presenting decryption, or its value in the war effort: one is visually dull, the other incalculable. One is left to stage moral dilemmas or descend to caricatures of hobbits in Bletchley huts, sledgehammering us with reminders that queer little folk can do great things. Turing and his colleagues in Hut 8 were crucial to the effort to break the…
Continue Reading →The Illusionists 1903
Adelaide Festival Theatre, 15/1/2015 In The Wanderings of a Spiritualist (c. 1921), Sir Arthur Conan Doyle has this to say: “There is an excellent clairvoyante in Paris, Madame Blifaud, and I look forward, at some later date, to a personal proof of her powers, though if it fails I shall not be so absurd as to imagine that that disproves them. The particular case which came immediately under my notice was that of a mother whose son had been killed from an aeroplane, in the war. She had no details of his death.” On asking Madame B., the latter replied,…
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