Das Ende

August 17, 2016 | Posted by Peter Jakobsen | HISTORY, LIFE, MUSIC, Opera, OPERA, WAGNER | 0 Comments |

"Wakey, wakey Brunhild!" (Otto Donner von Richter) (c. 1892)

17 August, 1876

In Bayreuth, Wagner’s great dream of a music festival playing nothing but Wagner (specifically, the Ring Cycle), concluded today 140 years ago.  How many in the crowd cried “Danke Gott!”  Or maybe, being mostly Bavarian and made of sterner stuff than most, many  said “Grüß got!

Father and daughter are failing to get on the same page regarding Siegmund (Arthur Rackham, 1910)

Father and daughter are failing to get on the same page regarding Siegmund (Arthur Rackham, 1910)

For it had been a good day, a great week in fact.  The Twilight of the Gods ended some 16 hours of music drama that left the audience drained and etiolated, but in a good way, like a pious married couple on the morning after the wedding.

For his part Wagner was disappointed, even depressed, with drawbacks in this presentation of the cycle.  “‘There is no footing for me and my work in this day and age…’ Later, in 1878, when he had recovered from the depression brought on by the immense tension of the preceding years and months, he pronounced a fairer verdict….A benevolent spell made everything there good. And the profound conviction based on that experience is my goodly profit from those weeks.'”*

Brunhild by Gaston Bussière (1897)

Brunhild by Gaston Bussière (1897)

[* Wagner by Curt von Westernhagen, 1981, pp. 497-498.]

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