One Day (Netflix 2024 British television series.)

February 20, 2024 | Posted by Lesley Jakobsen | Drama, THUMBNAIL REVIEWS, TV SERIES | 0 Comments |

If you can be bothered starting this listless series, we recommend that you binge watch all 14 (!) episodes because once you switch off, you’ll never bother going back.

To start with, the plot is suspense-free. Rich golden rich boy Dexter meets socialist Emma (a girl from the wrong side of the tracks and of another race) at a posh university. They go their separate ways until..! Whatever could happen?!

Even this hackneyed story could be worth watching – Leo Woodall (previously seen in White lotus 2) is terrific as the languid upper-class Dexter – although he could do with some concealer around the eyes. He is desperately and steadfastly in love with feisty Emma (Ambika Mod) for reasons best known to bad casting agents. Mod has a perpetually miserable long sad face. She barely smiles for the first twelve (!) episodes. Dex becomes a tv presenter. Emma becomes a socially aware teacher (of course). They remain best friends, which is difficult to accept, given that Emma meets everything that Dexter says or does with a contemptuous sneer and insults – he’s a privileged hedonist, his tv career is a measure of how shallow he is, he is not politically aware.

When he takes her to a swish restaurant and demonstrates a development of sophisticated tastes, Emma throws a public tantie. When the selfish, cruel, boring and smug Emma calls him these names (and others) the audience wonders why he bothers with her at all. Leo’s Dex is vulnerable, unanchored and has the patience of a saint. Emma is a nasty, self-obsessed sad sack.

After some years of taunting and deriding Dex, Emma decides that she might as well give him a go. It’s not clear why, because, after all, it’s not like she has to settle – she is also inexplicably irresistible to all men – not just poor Dexter,

The support actors are very good and do what they can with the standard roles of faithless spouse, jealous spouse, aristocratic parent and supportive friend. Add the clichés of the genre – unhappy separate marriages, humiliation at a baronial pile, a friend’s hilarious wedding, Paris, a surprise return to the turgid plot – stir with a misery stick and you’ve got One Day. The last episode is, admittedly, quite affecting but that is entirely due to Leo Woodall and it is not worth the long journey.

“Wow! This is as good as Dostoevsky must be!”

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