Rigoletto, by Giuseppe Verdi: Opera National de Paris (April / May 2016) (filmed by François Roussillon) This production, in terms of staging, is something pretty rare indeed: an unqualified disaster. Pardon the bigotry, but only a a progressive German director like Claus Guth (witnessed at the outset, describing the work as “very curious”) could manage this melange of bubble-gum psychology and single entendre. Here are the most depressing sets that ever existed: a gigantic grey egg carton and some moving stairs to accentuate mental trajectories, or serve for a couple of dance numbers. And the doppelgängers! Rigoletto (a somewhat stupefied…
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