Burr

(by Gore Vidal) A knowing, rollicking account of the early Republic. Vidal smashes the Jeffersonian myth but creates a more interesting figure of history in lieu. Burr’s uneasy, half-respectful relationship with Alexander Hamilton, whom he ultimately killed in a duel, is particularly interesting, although contentiously handled. Vidal paints a vivid, unflattering portrait of Thomas Jefferson, the ultimate effect of which is to confirm his stature.  But it’s a close-run thing: here is Burr reflecting on the 3rd President: “He was the most charming man I have ever known, as well as the most deceitful. Were the philosopher’s charm less, the…

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The Best and the Brightest

(by David Halberstam) Definitive parable of hubris leading to apocalypse. Whiz kids from the ivy-league encounter a Big Texas Democrat as their new boss; tragedy ensues in a companion piece to his earlier The Making of a Quagmire but which is wider in scope. Larded with mean detail, such as when LBJ enthuses to Sam Rayburn how brilliant all the new kids are, to which the paterfamilias of Congress replies that Lyndon might be right “but I’d feel a whole lot better about them if just one of them had run for sheriff once.”  

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An American Melodrama

(by Chester, Hodgson & Page) Definitive account of the 1968 Presidential campaign, written by three accomplished British journalists, manages to avoid the faux pomp of much American political writing; brilliantly covers the most critical election since 1932 with telling vignettes of key players, Democratic, Republican and independent. Pithy chapters on RFK‘s death in Los Angeles and Nixon working southern delegates at the Miami Hilton are classic. At page 355, this passage appears, describing the aftermath of RFK’s wounding in the kitchen area of the Ambassador Hotel in Los Angeles: “It was very claustrophobic , like an alleyway deep in a…

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Alexander Hamilton

(by Ron Chernow) Definitive biography deals comprehensively with the life and work of the highly contentious Treasurer of the early republic.  (It largely bears out Gore Vidal’s fictional portrait of him in Burr). Hamilton was fundamentally a pessimist in an optimist’s land, who wrote that its inhabitants were fit for chains, hoping only for gold ones. [Update: In Vidal’s novel Burr, Hamilton, a powerful figure in the highly-charged early political days of the American Republic, is referred to as “that Creole bastard.”  The record is redressed, better late than never, by Chernow’s fine work and a new musical by Lin-Manuel Miranda, in…

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Argo

A worried President Carter.

(dir. Ben Affleck) (2012) Competent, over-praised and ultimately futile defence of the Carter administration.

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