Peter’s admirable list of anaesthetic films is frightening, truly scarey. To think that I have sat through all that rubbish. However, it lacks one thing – mention of the worst film of all time. That most tendentious, over-rated, over-blown, self-adoring snore-inducing piece of celluloid-poo of all time, starring the worst actor of all time. Yes, that’s it. Of course I mean LAWRENCE OF ARABIA. You know that scene in Donnie Darko in the cinema? You thought that Donnie, Gretchen and Frank were watching The Evil Dead with some distorted clock faces and stuff? Wrong. Obviously they are watching Lawrence of Arabia. Consider. One of them has…
Continue Reading →(Dir. Robert Aldrich) (1962) I’ve written a letter to Bobby, With grotesques he was deeply in love, “Bob, which of Joan or dear Bette Was easiest for you to shove?” On piano, you drafted big Victor The Warners said “Buono, he’ll do”, I’ve written a letter to Bobby Saying “What a stew”; I’ve drafted a notice to Bobby Telling him he’s through. [TVC note: for all the Grand Guignol of her later performances, TVC considers Bette Davis an authentic star and pretty good actress to boot – e.g. All About Eve, Dark Victory, Of Human Bondage, Now Voyager, The Little…
Continue Reading →(Dir. Charles Laughton) (1955) Grimm’s Hansel and Gretel on the Ohio River, as 2 cute kids take to a skiff with stolen cash to escape their brand new stepfather (Robert Mitcham, in a sensational performance as the ‘preacher’ with “love” and “hate” tattooed on his knuckles). Lillian Gish also terrific as his adversary and Shelley Winters again assumes the role of tragic victim in this surreal pasquinade. Pure Black Magic: put this link into a search engine to watch a key scene https://www.youtube.com/watch?v=akyxPomqAZc https://youtu.be/akyxPomqAZc?t=4
Continue Reading →(Dir. Vittorio De Sica) (1948) To glue posters to walls around ration-bound post-war Rome, a man needs a bike. When that bike, obtained with pawnbroker money, is stolen, the man is driven to desperate measures. A simple lesson in how adverse circumstances can break anyone, filmed and played naturally and without sentimentality. A classic.
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